Challenging the accepted view that Shakespeare was indifferent to the publication of his plays by focusing on the economics of the booktrade, examines the evidence that the playing companies resisted publishing their plays, reviews "the publication history of Shakespeare's plays, which suggests that the Lord Chamberlain's Men has a coherent strategy to try to get their playwright's plays into print," and "inquire[s] into what can or cannot be inferred from Shakespeare's alleged involvement (as with the narrative poems) or noninvolvement (as with the plays) in the publication of his writings." Concluding that publishers had little economic incentive to publish drama, calls for renewed attention to Shakespeare's attitude to his plays and thei...
During the early modern period, the publication process decisively shaped the history play and its r...
This chapter looks at Shakespeare’s engagement with the commercial theatre world and the marketing o...
Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a ...
Challenging the accepted view that Shakespeare was indifferent to the publication of his plays by fo...
Shakespeare and the Book Trade follows on from Lukas Erne's Shakespeare as Literary Dramatist to exa...
Copyright is by no means the only device for asserting ownership of a work. Some writers, including ...
Asseses "the scope of Shakespeare's bibliographic presence" from 1594 to 1660 by comparing the numbe...
Review of Zachary Lesser Renaissance drama and the politics of publication: Readings in the English ...
Summarizing the recent scholarship that views Shakespeare as "a self-conscious, literary author," su...
In 1598, Shakespeare's name first appeared-unambiguously-on the title pages of printed playbooks, wi...
This collection of essays is part of a new phase in Shakespeare studies. The traditional view of Sha...
This thesis is a cultural history of the publishing businesses that financed Shakespeareâs First Fol...
In 1709, Jacob Tonson, the premier publisher of his age, purchased the “copyright” to Shakespeare. T...
Bibliographers have long puzzled over Samuel Johnson’s edition of The Plays of William Shakespeare, ...
This article submitted to IUPUI ScholarWorks as part of the OASIS Project. Permission for inclusion ...
During the early modern period, the publication process decisively shaped the history play and its r...
This chapter looks at Shakespeare’s engagement with the commercial theatre world and the marketing o...
Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a ...
Challenging the accepted view that Shakespeare was indifferent to the publication of his plays by fo...
Shakespeare and the Book Trade follows on from Lukas Erne's Shakespeare as Literary Dramatist to exa...
Copyright is by no means the only device for asserting ownership of a work. Some writers, including ...
Asseses "the scope of Shakespeare's bibliographic presence" from 1594 to 1660 by comparing the numbe...
Review of Zachary Lesser Renaissance drama and the politics of publication: Readings in the English ...
Summarizing the recent scholarship that views Shakespeare as "a self-conscious, literary author," su...
In 1598, Shakespeare's name first appeared-unambiguously-on the title pages of printed playbooks, wi...
This collection of essays is part of a new phase in Shakespeare studies. The traditional view of Sha...
This thesis is a cultural history of the publishing businesses that financed Shakespeareâs First Fol...
In 1709, Jacob Tonson, the premier publisher of his age, purchased the “copyright” to Shakespeare. T...
Bibliographers have long puzzled over Samuel Johnson’s edition of The Plays of William Shakespeare, ...
This article submitted to IUPUI ScholarWorks as part of the OASIS Project. Permission for inclusion ...
During the early modern period, the publication process decisively shaped the history play and its r...
This chapter looks at Shakespeare’s engagement with the commercial theatre world and the marketing o...
Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a ...