Hamilton discusses Prairie painter MacDonald's two thematic bodies of work: the "pure" landscape, and the human figure in the landscape. Artist's statement. Biographical notes. 10 bibl. ref
Referring to the landscape tradition, Bingham describes how six painters use varying degrees of abst...
For Thauberger, McInnes' drawings of rural Saskatchewan suggest how primitive art combines elements ...
A distinctly Indigenous form of landscape representation is emerging in the creations of contemporar...
Hamilton discusses Prairie painter MacDonald's two thematic bodies of work: the "pure" landscape, an...
Discussing Mackenzie's use of specific symbolic and visual languages and her preoccupation with the ...
Landscape painting and formalist painting, both terms taken in their broadest possible sense, have b...
Fenton defines Hurley and Wyers as painters of the prairie landscape and, refering to Wyers as a pri...
Goodridge defines ten artists' work as a continuation of the landscape tradition in Newfoundland. Ar...
Tuele traces Maynard's development as a painter in the 1930s and 1940s, highlighting the late artist...
Liang's interpretation of MacKenzie's "Lost River" and "Saskatchewan" series of paintings focuses on...
MacDonald's sculptures are interpreted in terms of their relationship with space and the viewer. Bio...
In his examination of landscape painting by four Canadians, White deals with aspects of our current ...
A publication to accompany MacLeod’s exhibition of landscape photographs. Laurin’s text traces the e...
"The vast Canadian landscape has captured the imagination of visual artists since the first European...
Pointing to biographical clues, Townsend-Gault analyses how Mackenzie's 1994-1995 large canvases ref...
Referring to the landscape tradition, Bingham describes how six painters use varying degrees of abst...
For Thauberger, McInnes' drawings of rural Saskatchewan suggest how primitive art combines elements ...
A distinctly Indigenous form of landscape representation is emerging in the creations of contemporar...
Hamilton discusses Prairie painter MacDonald's two thematic bodies of work: the "pure" landscape, an...
Discussing Mackenzie's use of specific symbolic and visual languages and her preoccupation with the ...
Landscape painting and formalist painting, both terms taken in their broadest possible sense, have b...
Fenton defines Hurley and Wyers as painters of the prairie landscape and, refering to Wyers as a pri...
Goodridge defines ten artists' work as a continuation of the landscape tradition in Newfoundland. Ar...
Tuele traces Maynard's development as a painter in the 1930s and 1940s, highlighting the late artist...
Liang's interpretation of MacKenzie's "Lost River" and "Saskatchewan" series of paintings focuses on...
MacDonald's sculptures are interpreted in terms of their relationship with space and the viewer. Bio...
In his examination of landscape painting by four Canadians, White deals with aspects of our current ...
A publication to accompany MacLeod’s exhibition of landscape photographs. Laurin’s text traces the e...
"The vast Canadian landscape has captured the imagination of visual artists since the first European...
Pointing to biographical clues, Townsend-Gault analyses how Mackenzie's 1994-1995 large canvases ref...
Referring to the landscape tradition, Bingham describes how six painters use varying degrees of abst...
For Thauberger, McInnes' drawings of rural Saskatchewan suggest how primitive art combines elements ...
A distinctly Indigenous form of landscape representation is emerging in the creations of contemporar...
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