Add to ORKGFor Thauberger, McInnes' drawings of rural Saskatchewan suggest how primitive art combines elements of fantasy and reality. Includes an artist's statement and biographical notes. 5 bibl. ref
Farr defines contemporary primitive art by differenciating it from ethnic or folk art. Biographical ...
Hamilton discusses Prairie painter MacDonald's two thematic bodies of work: the "pure" landscape, an...
In an essay responding to Thauberger’s paintings of Moose Jaw, Hall contends that the city is an imp...
For Thauberger, McInnes' drawings of rural Saskatchewan suggest how primitive art combines elements ...
White explains the importance of community and popular culture in Thauberger's paintings of Southern...
McLuhan outlines the careers of three Prairie native artists and the developement of their work. Bio...
Burkhardt briefly discusses the print-metal works of the Vancouver artist McWilliams, especially wit...
The authors describe the development of art and arts groups in Saskatchewan from the 1850s to 1970, ...
Long provides a definition of "folk art" and recounts how the "iconoclastic" movement in the 1970s b...
Moppett examines drawing as process and looks at 20th century approaches to drawing. Includes statem...
Thauberger demonstrates how the work of 16 Saskatchewan artists without professional art training ex...
The development of Thauberger's images of the prairie landscape, of architecture and of cultural art...
Morgan evokes the prairie as experience in relation to the production of art in Saskatchewan. The si...
Davison documents the work of thirty B.C. artists who have used realism to depict animals in nature....
Hirsch and Murray comment on the development and originality of Eyre's painting, underlining his com...
Farr defines contemporary primitive art by differenciating it from ethnic or folk art. Biographical ...
Hamilton discusses Prairie painter MacDonald's two thematic bodies of work: the "pure" landscape, an...
In an essay responding to Thauberger’s paintings of Moose Jaw, Hall contends that the city is an imp...
For Thauberger, McInnes' drawings of rural Saskatchewan suggest how primitive art combines elements ...
White explains the importance of community and popular culture in Thauberger's paintings of Southern...
McLuhan outlines the careers of three Prairie native artists and the developement of their work. Bio...
Burkhardt briefly discusses the print-metal works of the Vancouver artist McWilliams, especially wit...
The authors describe the development of art and arts groups in Saskatchewan from the 1850s to 1970, ...
Long provides a definition of "folk art" and recounts how the "iconoclastic" movement in the 1970s b...
Moppett examines drawing as process and looks at 20th century approaches to drawing. Includes statem...
Thauberger demonstrates how the work of 16 Saskatchewan artists without professional art training ex...
The development of Thauberger's images of the prairie landscape, of architecture and of cultural art...
Morgan evokes the prairie as experience in relation to the production of art in Saskatchewan. The si...
Davison documents the work of thirty B.C. artists who have used realism to depict animals in nature....
Hirsch and Murray comment on the development and originality of Eyre's painting, underlining his com...
Farr defines contemporary primitive art by differenciating it from ethnic or folk art. Biographical ...
Hamilton discusses Prairie painter MacDonald's two thematic bodies of work: the "pure" landscape, an...
In an essay responding to Thauberger’s paintings of Moose Jaw, Hall contends that the city is an imp...