Add to ORKGA publication to accompany MacLeod’s exhibition of landscape photographs. Laurin’s text traces the evolution of landscape photography, while calling attention to the artist’s interest in relationships between photographic representation, Frontier ideologies and myths of the American West. Subjects of colonization, Romanticism and Manifest Destiny are discussed. Laurin’s descriptive analysis of selected works by MacLeod focuses on the influence of Timothy O’Sullivan, Ansel Adams and the Bechers (Bernd and Hilla). Includes list of works. Biographical notes. 2 bibl. ref
This paper focuses on the western frontier as an epitomized space where white American expansionism ...
McLeod addresses Desmeules's choice of landscape motifs in her works on photographic paper. Artist's...
Wood explores the artists' use of feminist themes and "feminine" techniques to critique historical d...
A publication to accompany MacLeod’s exhibition of landscape photographs. Laurin’s text traces the e...
Greenfield describes early ranching in Alberta, contrasting tradition to the contemporary myth of th...
Hamilton discusses Prairie painter MacDonald's two thematic bodies of work: the "pure" landscape, an...
Like portraiture, landscape was a major genre of painting and was similarly adopted by the earliest ...
A distinctly Indigenous form of landscape representation is emerging in the creations of contemporar...
The rise of photography in the United States coincided with the spread of Manifest Destiny, and this...
Catalogue to accompany Baxter’s exhibition of approximately 40 multidisciplinary landscape works (19...
"The vast Canadian landscape has captured the imagination of visual artists since the first European...
The photographs produced as part of Canadian topographical and geological surveys between 1858 and 1...
"This exhibition investigates a range of works by Indigenous artists currently living in Alberta dem...
Barbour describes this exhibition of photographs of the Canadian landscape and analyses each artist'...
This catalogue documents a touring exhibition comprised of photo-based works by four artists – M. Pi...
This paper focuses on the western frontier as an epitomized space where white American expansionism ...
McLeod addresses Desmeules's choice of landscape motifs in her works on photographic paper. Artist's...
Wood explores the artists' use of feminist themes and "feminine" techniques to critique historical d...
A publication to accompany MacLeod’s exhibition of landscape photographs. Laurin’s text traces the e...
Greenfield describes early ranching in Alberta, contrasting tradition to the contemporary myth of th...
Hamilton discusses Prairie painter MacDonald's two thematic bodies of work: the "pure" landscape, an...
Like portraiture, landscape was a major genre of painting and was similarly adopted by the earliest ...
A distinctly Indigenous form of landscape representation is emerging in the creations of contemporar...
The rise of photography in the United States coincided with the spread of Manifest Destiny, and this...
Catalogue to accompany Baxter’s exhibition of approximately 40 multidisciplinary landscape works (19...
"The vast Canadian landscape has captured the imagination of visual artists since the first European...
The photographs produced as part of Canadian topographical and geological surveys between 1858 and 1...
"This exhibition investigates a range of works by Indigenous artists currently living in Alberta dem...
Barbour describes this exhibition of photographs of the Canadian landscape and analyses each artist'...
This catalogue documents a touring exhibition comprised of photo-based works by four artists – M. Pi...
This paper focuses on the western frontier as an epitomized space where white American expansionism ...
McLeod addresses Desmeules's choice of landscape motifs in her works on photographic paper. Artist's...
Wood explores the artists' use of feminist themes and "feminine" techniques to critique historical d...