Vogel discusses Garnet's photographic and sculptural work (text in German only). Biographical notes
The authors analyse Klingelhöller's sculptures, considering their meaning in relation to image, lang...
Moffett discusses Peacock's shaped abstract paintings in relation to American art. Biographical note...
Graham discusses Wehr's moody skyscape paintings and meticoulus ink drawings. Biographical notes
Vogel discusses Garnet's photographic and sculptural work (text in German only). Biographical notes
Retrospective of photographs by the Toronto artist, with reproductions of six thematic series. Start...
Fritsch's paintings of organic forms are discussed in terms of their use of colour and combination o...
Half artist's book, half catalogue, this publication includes an essay in which Rhodes focuses upon ...
Defining Gottlieb's nature work as both abstract and related to landscape, Fenton examines the graph...
Moppett surveys Graff's painting career, noting how he developed a pictorial language of significant...
Lotringer draws on a personal narrative to allude to the experience of viewing Garnet's sculpture vi...
Refering mainly to Kant, Riegl, and Gombrich, Gerdes defines the conditions favourable to an autonom...
Osterwold and Vowinckel describe the sculptures and installation works of four young German artists....
Farrell describes the artist's background, the process of making "sculptographs" (life-size cast pap...
Falk studies the "rhizomatic" developments which underly Gamoy's painting since 1979. Biographical n...
In a brief text, Geuer relates the concerns of physics and artistic representation. Biographical not...
The authors analyse Klingelhöller's sculptures, considering their meaning in relation to image, lang...
Moffett discusses Peacock's shaped abstract paintings in relation to American art. Biographical note...
Graham discusses Wehr's moody skyscape paintings and meticoulus ink drawings. Biographical notes
Vogel discusses Garnet's photographic and sculptural work (text in German only). Biographical notes
Retrospective of photographs by the Toronto artist, with reproductions of six thematic series. Start...
Fritsch's paintings of organic forms are discussed in terms of their use of colour and combination o...
Half artist's book, half catalogue, this publication includes an essay in which Rhodes focuses upon ...
Defining Gottlieb's nature work as both abstract and related to landscape, Fenton examines the graph...
Moppett surveys Graff's painting career, noting how he developed a pictorial language of significant...
Lotringer draws on a personal narrative to allude to the experience of viewing Garnet's sculpture vi...
Refering mainly to Kant, Riegl, and Gombrich, Gerdes defines the conditions favourable to an autonom...
Osterwold and Vowinckel describe the sculptures and installation works of four young German artists....
Farrell describes the artist's background, the process of making "sculptographs" (life-size cast pap...
Falk studies the "rhizomatic" developments which underly Gamoy's painting since 1979. Biographical n...
In a brief text, Geuer relates the concerns of physics and artistic representation. Biographical not...
The authors analyse Klingelhöller's sculptures, considering their meaning in relation to image, lang...
Moffett discusses Peacock's shaped abstract paintings in relation to American art. Biographical note...
Graham discusses Wehr's moody skyscape paintings and meticoulus ink drawings. Biographical notes