Add to ORKGFarrell describes the artist's background, the process of making "sculptographs" (life-size cast paper figures overlaid with colour lithographic imagery), and elaborates on the personal, social and sexual meanings in the works. Biographical notes
Cumming briefly introduces Weinstein and his prints, drawings and paintings. Biographical notes
Artist McKay describes the role of myth and symbolism in his work. Biographical notes
Jenkins describes Weinstein's training and the development of his large figurative works in painting...
Farrell describes the artist's background, the process of making "sculptographs" (life-size cast pap...
Gould discusses the sculptural images produced by Dutkewych, insisting on table forms, base-like str...
The author notes Barbier-Dorrance's use of materials, images and mood in her drawings and clay sculp...
Baster describes the artist's use of industrial found objects and situates the resulting sculptures ...
Examining Hanson's realist sculptures since the 1960s, Livingstone comments on the artist's sense fo...
Photographic documentation of three sculptural works accompanied by quotations and brief statements ...
Arnold describes the development of Duck's non-objective paintings from early figurative prints and ...
Rosshandler analyses the tension established between the figurative and the abstract in Villeneuve's...
Contains documentation, reviews and descriptions of Hayden's kinetic works produced individually and...
Dwyer traces the biography of the Canadian Surrealist artist, while Mark interrogates her paintings,...
Saulnier indicates connections between recent sculptural works (1992-1994) which draw on animal shap...
This project chronicles my explorations of the human figure in intaglio and relief printmaking and i...
Cumming briefly introduces Weinstein and his prints, drawings and paintings. Biographical notes
Artist McKay describes the role of myth and symbolism in his work. Biographical notes
Jenkins describes Weinstein's training and the development of his large figurative works in painting...
Farrell describes the artist's background, the process of making "sculptographs" (life-size cast pap...
Gould discusses the sculptural images produced by Dutkewych, insisting on table forms, base-like str...
The author notes Barbier-Dorrance's use of materials, images and mood in her drawings and clay sculp...
Baster describes the artist's use of industrial found objects and situates the resulting sculptures ...
Examining Hanson's realist sculptures since the 1960s, Livingstone comments on the artist's sense fo...
Photographic documentation of three sculptural works accompanied by quotations and brief statements ...
Arnold describes the development of Duck's non-objective paintings from early figurative prints and ...
Rosshandler analyses the tension established between the figurative and the abstract in Villeneuve's...
Contains documentation, reviews and descriptions of Hayden's kinetic works produced individually and...
Dwyer traces the biography of the Canadian Surrealist artist, while Mark interrogates her paintings,...
Saulnier indicates connections between recent sculptural works (1992-1994) which draw on animal shap...
This project chronicles my explorations of the human figure in intaglio and relief printmaking and i...
Cumming briefly introduces Weinstein and his prints, drawings and paintings. Biographical notes
Artist McKay describes the role of myth and symbolism in his work. Biographical notes
Jenkins describes Weinstein's training and the development of his large figurative works in painting...