Add to ORKGCounterpoising postmodernism's suspicion of beauty, pleasure and painting with Oriental philosophy's positive dualism, Metcalfe traces Livingston's artistic progression, and assesses the paintings in the exhibition. Biographical notes. 7 bibl. ref
Eardley’s pull to observe and comprehend our actuality via the painted mark provides new perspective...
Painting is one of the new creative activities of Alexander Rappaport, architectural theorist, Docto...
Wallace presents this exhibition of paintings completed in 1999-2000 by Leach, Singer and Stanbridge...
Counterpoising postmodernism's suspicion of beauty, pleasure and painting with Oriental philosophy's...
Pope presents Livingston's paintings as being concerned with modernism, beauty and reality. Biograph...
Discussing ten paintings produced in 1993-1994, Sasaki comments on the narrative quality of Livingst...
In this small photocopy booklet made to accompany Livingston's solo exhibition, Eyland's brief text ...
Murray traces the influences upon Cameron's abstract paintings. Includes a list of exhibitions and b...
Kelly focuses upon the meaning of Colville's hyperrealist paintings as reflected in preliminary draw...
Burnett traces the developement of Colville's work and addresses recurrent themes in the artist's pa...
Arnold outlines the development of Alexander's work, examining the interplay of formal concerns and ...
The Sight-eating Subjects and Reified Subjects in Late Works of Alex Gross The article focuses on a ...
Burnett traces Colville's career, demonstrating how his paintings and prints combine the distance of...
Introducing a retrospective exhibition of Colville's recent work, Fry analyses 22 paintings and 10 s...
No abstractModernism and Postmodernism are examined as trends of the 20th century, functioning mainl...
Eardley’s pull to observe and comprehend our actuality via the painted mark provides new perspective...
Painting is one of the new creative activities of Alexander Rappaport, architectural theorist, Docto...
Wallace presents this exhibition of paintings completed in 1999-2000 by Leach, Singer and Stanbridge...
Counterpoising postmodernism's suspicion of beauty, pleasure and painting with Oriental philosophy's...
Pope presents Livingston's paintings as being concerned with modernism, beauty and reality. Biograph...
Discussing ten paintings produced in 1993-1994, Sasaki comments on the narrative quality of Livingst...
In this small photocopy booklet made to accompany Livingston's solo exhibition, Eyland's brief text ...
Murray traces the influences upon Cameron's abstract paintings. Includes a list of exhibitions and b...
Kelly focuses upon the meaning of Colville's hyperrealist paintings as reflected in preliminary draw...
Burnett traces the developement of Colville's work and addresses recurrent themes in the artist's pa...
Arnold outlines the development of Alexander's work, examining the interplay of formal concerns and ...
The Sight-eating Subjects and Reified Subjects in Late Works of Alex Gross The article focuses on a ...
Burnett traces Colville's career, demonstrating how his paintings and prints combine the distance of...
Introducing a retrospective exhibition of Colville's recent work, Fry analyses 22 paintings and 10 s...
No abstractModernism and Postmodernism are examined as trends of the 20th century, functioning mainl...
Eardley’s pull to observe and comprehend our actuality via the painted mark provides new perspective...
Painting is one of the new creative activities of Alexander Rappaport, architectural theorist, Docto...
Wallace presents this exhibition of paintings completed in 1999-2000 by Leach, Singer and Stanbridge...