Add to ORKGBurnett traces Colville's career, demonstrating how his paintings and prints combine the distance of objective observation with the intimacy of individual experience. Biographical notes. 1 bibl. ref
Bellerby describes printmaker Shives' attachment to the British Columbia landscape and use of colour...
Discussing ten paintings produced in 1993-1994, Sasaki comments on the narrative quality of Livingst...
Dahle focuses on the non-representational aspects of Bruning's paintings and Zamkotowich's sculptura...
Burnett traces the developement of Colville's work and addresses recurrent themes in the artist's pa...
Introducing a retrospective exhibition of Colville's recent work, Fry analyses 22 paintings and 10 s...
Phillips highlights Colville's visit to the gallery during the exhibition. Brief biographical notes
With the aid of Colville's preliminary sketches, notes, and polaroids, Fry analyses "Embarkation" (1...
Kelly focuses upon the meaning of Colville's hyperrealist paintings as reflected in preliminary draw...
To accompany an exhibition of 32 serigraphs created by Colville between 1955 and 1993, Bell examines...
In an extensive essay, Burnett traces Colville's development through a discussion of individual work...
Silcox defines Pratt's work as the expression of an esssential form and describes the process throug...
In a reprinted text, the formal aspects of Clark's paintings are considered. Biographical notes. 1 b...
Jenkner describes Tamasauskas' images and his investigation of the medium of printmaking. Biographic...
Pope presents Livingston's paintings as being concerned with modernism, beauty and reality. Biograph...
Ring writes a biographical sketch of a long-standing figure in the Saskatoon arts community, Eva Men...
Bellerby describes printmaker Shives' attachment to the British Columbia landscape and use of colour...
Discussing ten paintings produced in 1993-1994, Sasaki comments on the narrative quality of Livingst...
Dahle focuses on the non-representational aspects of Bruning's paintings and Zamkotowich's sculptura...
Burnett traces the developement of Colville's work and addresses recurrent themes in the artist's pa...
Introducing a retrospective exhibition of Colville's recent work, Fry analyses 22 paintings and 10 s...
Phillips highlights Colville's visit to the gallery during the exhibition. Brief biographical notes
With the aid of Colville's preliminary sketches, notes, and polaroids, Fry analyses "Embarkation" (1...
Kelly focuses upon the meaning of Colville's hyperrealist paintings as reflected in preliminary draw...
To accompany an exhibition of 32 serigraphs created by Colville between 1955 and 1993, Bell examines...
In an extensive essay, Burnett traces Colville's development through a discussion of individual work...
Silcox defines Pratt's work as the expression of an esssential form and describes the process throug...
In a reprinted text, the formal aspects of Clark's paintings are considered. Biographical notes. 1 b...
Jenkner describes Tamasauskas' images and his investigation of the medium of printmaking. Biographic...
Pope presents Livingston's paintings as being concerned with modernism, beauty and reality. Biograph...
Ring writes a biographical sketch of a long-standing figure in the Saskatoon arts community, Eva Men...
Bellerby describes printmaker Shives' attachment to the British Columbia landscape and use of colour...
Discussing ten paintings produced in 1993-1994, Sasaki comments on the narrative quality of Livingst...
Dahle focuses on the non-representational aspects of Bruning's paintings and Zamkotowich's sculptura...