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biblAgent
Stebbins discusses the relation between Jeffrey's drawings and sculpture, elaborating on the artist's use of materials, process and grouped objects. Biographical notes. 5 bibl. ref
Dewdney describes the formal qualities of Groombridge's steel sculpture and elaborates on its meanin...
Dillow examines Cowin's calligraphic style and his use of technique and fantasy in his drawings. Bio...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
Stebbins discusses the relation between Jeffrey's drawings and sculpture, elaborating on the artist'...
Lumsden outlines Humphrey's life and the development of his work, noting the influence of American a...
Burnett examines the place of contemporary sculpture. Arguing that Thibert's work addresses the cond...
Brown describes Jeffrey’s exhibition as being concerned with the demarcation of boundaries and the o...
Hicks views his paper and sculpture works as an attempt to capture the metamorphic quality of experi...
The authors discuss Wise's paintings as rooted in nature, personal experience, and in oriented attit...
Macmillan surveys the development of Bush's painting, focusing on his formal concerns and use of col...
Kidd describes May's steel sculptures, and his use of materials and found objects, to play with mean...
Baster describes the artist's use of industrial found objects and situates the resulting sculptures ...
Baxter discusses Spalding's paintings as systemic, real objects directing the ordering principle of ...
Poole discusses Chambers' manner in the painter's own term "perceptual realism". The author notes th...
Marshall outlines Murray's explorations of reductivist sculpture. Biographical notes. 2 bibl. ref
Dewdney describes the formal qualities of Groombridge's steel sculpture and elaborates on its meanin...
Dillow examines Cowin's calligraphic style and his use of technique and fantasy in his drawings. Bio...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
Stebbins discusses the relation between Jeffrey's drawings and sculpture, elaborating on the artist'...
Lumsden outlines Humphrey's life and the development of his work, noting the influence of American a...
Burnett examines the place of contemporary sculpture. Arguing that Thibert's work addresses the cond...
Brown describes Jeffrey’s exhibition as being concerned with the demarcation of boundaries and the o...
Hicks views his paper and sculpture works as an attempt to capture the metamorphic quality of experi...
The authors discuss Wise's paintings as rooted in nature, personal experience, and in oriented attit...
Macmillan surveys the development of Bush's painting, focusing on his formal concerns and use of col...
Kidd describes May's steel sculptures, and his use of materials and found objects, to play with mean...
Baster describes the artist's use of industrial found objects and situates the resulting sculptures ...
Baxter discusses Spalding's paintings as systemic, real objects directing the ordering principle of ...
Poole discusses Chambers' manner in the painter's own term "perceptual realism". The author notes th...
Marshall outlines Murray's explorations of reductivist sculpture. Biographical notes. 2 bibl. ref
Dewdney describes the formal qualities of Groombridge's steel sculpture and elaborates on its meanin...
Dillow examines Cowin's calligraphic style and his use of technique and fantasy in his drawings. Bio...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
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