Add to ORKGBaxter discusses Spalding's paintings as systemic, real objects directing the ordering principle of the work while Cameron examines the work in relation to painting, process, and representation. Biographical notes. 6 bibl. ref
Refering to Allain's steel paintings as "interrogatory objects" invested with a "sculptural persona"...
Considering works by 19 artists, Spalding discerns three main areas of concern in paintings of the 1...
"A chronological list of painters, from the revival of the art to the beginning of the last century,...
Baxter discusses Spalding's paintings as systemic, real objects directing the ordering principle of ...
Baster discusses Spalding's black paintings in relation to 20th century art history and the artist's...
Cameron adopts a biographical approach to Zuck's works while Spalding uncovers a personal dimension ...
Tracing Zuck's transition from conceptual to painted works, White elaborates on the artist's develop...
Spalding's introduction situates Picasso's work with respect to the modernist movement. Biographical...
A catalogue published in conjunction with an exhibition consisting of more than 40 works by Baxter p...
Armstrong contributes an analysis of Roe’s painting practice and its evolution from the 1980s until ...
Murray traces the influences upon Cameron's abstract paintings. Includes a list of exhibitions and b...
Salzman relates Clark's figurative paintings to the identity of post-industrial individuals in relat...
Stebbins discusses the relation between Jeffrey's drawings and sculpture, elaborating on the artist'...
Stebbins considers the life and work of the watercolour painter; McCaugherty provides an explanatory...
Burnett traces the developement of Colville's work and addresses recurrent themes in the artist's pa...
Refering to Allain's steel paintings as "interrogatory objects" invested with a "sculptural persona"...
Considering works by 19 artists, Spalding discerns three main areas of concern in paintings of the 1...
"A chronological list of painters, from the revival of the art to the beginning of the last century,...
Baxter discusses Spalding's paintings as systemic, real objects directing the ordering principle of ...
Baster discusses Spalding's black paintings in relation to 20th century art history and the artist's...
Cameron adopts a biographical approach to Zuck's works while Spalding uncovers a personal dimension ...
Tracing Zuck's transition from conceptual to painted works, White elaborates on the artist's develop...
Spalding's introduction situates Picasso's work with respect to the modernist movement. Biographical...
A catalogue published in conjunction with an exhibition consisting of more than 40 works by Baxter p...
Armstrong contributes an analysis of Roe’s painting practice and its evolution from the 1980s until ...
Murray traces the influences upon Cameron's abstract paintings. Includes a list of exhibitions and b...
Salzman relates Clark's figurative paintings to the identity of post-industrial individuals in relat...
Stebbins discusses the relation between Jeffrey's drawings and sculpture, elaborating on the artist'...
Stebbins considers the life and work of the watercolour painter; McCaugherty provides an explanatory...
Burnett traces the developement of Colville's work and addresses recurrent themes in the artist's pa...
Refering to Allain's steel paintings as "interrogatory objects" invested with a "sculptural persona"...
Considering works by 19 artists, Spalding discerns three main areas of concern in paintings of the 1...
"A chronological list of painters, from the revival of the art to the beginning of the last century,...