Add to ORKGThe authors discuss Wise's paintings as rooted in nature, personal experience, and in oriented attitudes and approaches to art and calligraphy. Biographical notes. 2 bibl. ref
Comparing the practice of abstraction in Toronto to that in Montréal, Nasgaard dates the beginning o...
In 1904, at the instigation of his patron John Quinn, and on the occasion of his first solo show in ...
Noting Kerr's interest in animals and prairie landscapes, the authors outline the artist's life, his...
The authors discuss Wise's paintings as rooted in nature, personal experience, and in oriented attit...
In a reprinted text, the formal aspects of Clark's paintings are considered. Biographical notes. 1 b...
Poole discusses Chambers' manner in the painter's own term "perceptual realism". The author notes th...
Referring to meditation and Eastern philosophy, Heath analyses Butler's work from 1980 to 1984. Biog...
Stebbins discusses the relation between Jeffrey's drawings and sculpture, elaborating on the artist'...
Macmillan surveys the development of Bush's painting, focusing on his formal concerns and use of col...
The authors outline the influences on Clark's work and the development of his figurative painting. B...
Gray recounts his initial attraction to drawing and painting the sea. Biographical notes
Noting Mead's early life and influences on his work, Murray examines his drawings from the 1950s to ...
Noting autobiographical aspects in Clark's series, Grenville describes the instability of meaning an...
Dillow examines Cowin's calligraphic style and his use of technique and fantasy in his drawings. Bio...
In a biographical text, Fox notes particular characteristics of Michener's use of the landscape genr...
Comparing the practice of abstraction in Toronto to that in Montréal, Nasgaard dates the beginning o...
In 1904, at the instigation of his patron John Quinn, and on the occasion of his first solo show in ...
Noting Kerr's interest in animals and prairie landscapes, the authors outline the artist's life, his...
The authors discuss Wise's paintings as rooted in nature, personal experience, and in oriented attit...
In a reprinted text, the formal aspects of Clark's paintings are considered. Biographical notes. 1 b...
Poole discusses Chambers' manner in the painter's own term "perceptual realism". The author notes th...
Referring to meditation and Eastern philosophy, Heath analyses Butler's work from 1980 to 1984. Biog...
Stebbins discusses the relation between Jeffrey's drawings and sculpture, elaborating on the artist'...
Macmillan surveys the development of Bush's painting, focusing on his formal concerns and use of col...
The authors outline the influences on Clark's work and the development of his figurative painting. B...
Gray recounts his initial attraction to drawing and painting the sea. Biographical notes
Noting Mead's early life and influences on his work, Murray examines his drawings from the 1950s to ...
Noting autobiographical aspects in Clark's series, Grenville describes the instability of meaning an...
Dillow examines Cowin's calligraphic style and his use of technique and fantasy in his drawings. Bio...
In a biographical text, Fox notes particular characteristics of Michener's use of the landscape genr...
Comparing the practice of abstraction in Toronto to that in Montréal, Nasgaard dates the beginning o...
In 1904, at the instigation of his patron John Quinn, and on the occasion of his first solo show in ...
Noting Kerr's interest in animals and prairie landscapes, the authors outline the artist's life, his...