Add to ORKGMarshall analyses Nutt's drawings of objects/symbols in relation to realism, surrealism, trompe-l'oeil, and mannerism. Biographical notes
Klepac investigates transformations in Martin's work between 1969 and 1992, discussing painting seri...
Marzolf documents the history of painter Lochhead's involvement with the Emma Lake Workshops, focusi...
Marchand briefly presents Molinari's career and interviews the artist on the specificity of his pict...
Marshall analyses Nutt's drawings of objects/symbols in relation to realism, surrealism, trompe-l'oe...
The author describes the formal and symbolic qualities of Nutt's drawings and outlines Elliott's pro...
Poole discusses Chambers' manner in the painter's own term "perceptual realism". The author notes th...
Baert's analysis of Wilding's sculptures and drawings calls attention to issues of subjectivity, cor...
Nasgaard compares Martin's "World Paintings" and "One-Colour Paintings" and focuses on the phenomeno...
The study of structural constants (based on factors of mass and direction) in the artist's drawings ...
Based on Carl Gustav Jung’s persona philosophy, this paper conducts theoretical analysis on the intr...
Taylor outlines Hodgson's life and career and, noting the influence of Abstract Expressionism and Po...
Comparing Kolisnyk's work to constructivism and minimalism, Nasgaard describes the artist's use of m...
Pointing to biographical clues, Townsend-Gault analyses how Mackenzie's 1994-1995 large canvases ref...
Mayor describes the relationship between artist, work and spectator while Ylitalo offers a history o...
Solomon offers a personal sketch of Dine, Johnson discusses specific sculptural objects by Oldenburg...
Klepac investigates transformations in Martin's work between 1969 and 1992, discussing painting seri...
Marzolf documents the history of painter Lochhead's involvement with the Emma Lake Workshops, focusi...
Marchand briefly presents Molinari's career and interviews the artist on the specificity of his pict...
Marshall analyses Nutt's drawings of objects/symbols in relation to realism, surrealism, trompe-l'oe...
The author describes the formal and symbolic qualities of Nutt's drawings and outlines Elliott's pro...
Poole discusses Chambers' manner in the painter's own term "perceptual realism". The author notes th...
Baert's analysis of Wilding's sculptures and drawings calls attention to issues of subjectivity, cor...
Nasgaard compares Martin's "World Paintings" and "One-Colour Paintings" and focuses on the phenomeno...
The study of structural constants (based on factors of mass and direction) in the artist's drawings ...
Based on Carl Gustav Jung’s persona philosophy, this paper conducts theoretical analysis on the intr...
Taylor outlines Hodgson's life and career and, noting the influence of Abstract Expressionism and Po...
Comparing Kolisnyk's work to constructivism and minimalism, Nasgaard describes the artist's use of m...
Pointing to biographical clues, Townsend-Gault analyses how Mackenzie's 1994-1995 large canvases ref...
Mayor describes the relationship between artist, work and spectator while Ylitalo offers a history o...
Solomon offers a personal sketch of Dine, Johnson discusses specific sculptural objects by Oldenburg...
Klepac investigates transformations in Martin's work between 1969 and 1992, discussing painting seri...
Marzolf documents the history of painter Lochhead's involvement with the Emma Lake Workshops, focusi...
Marchand briefly presents Molinari's career and interviews the artist on the specificity of his pict...