Add to ORKGMarchand briefly presents Molinari's career and interviews the artist on the specificity of his pictorial experimentation based on notions of structure, mass, and perception. Nasgaard brings to light the major contribution of the artist to the reformulation of pictorial syntax. Includes six poems by the artist (in French only). Biographical notes. 81 bibl. ref
The artwork by Hayter might be classified within the Op Art movement of its time, it also has qualit...
A major catalogue accompanying Marchetti's exhibition of gallery installations conceived as musical ...
A research on the practise of the visual memory of Giorgio Morandi from paintings by C\ue9zanne, Pic...
Marchand briefly presents Molinari's career and interviews the artist on the specificity of his pict...
An anthology presenting 27 texts by Molinari about his formal concerns (abstraction, seriality, hard...
Tracing Molinari's trajectory from 1951 to 1973, Bengle comments on the artist's research on colour ...
On the occasion of the New York retrospective, Campbell walks us through an allusive chronological a...
Welsh and Campbell's indepth essays document Molinari's personal and professional life up to 1961 an...
Burnett documents calligraphy, gouaches and drawings produced by Molinari between 1953 and 1975. Bio...
Smith briefly analyses Comtois' sculptures and Molinari's paintings. Théberge outlines the developme...
The study of structural constants (based on factors of mass and direction) in the artist's drawings ...
Thériault traces an evolving elimination of the referential in Molinari's paintings. Includes an int...
Nasgaard compares Martin's "World Paintings" and "One-Colour Paintings" and focuses on the phenomeno...
This publication relates exclusively to Metson’s paintings from 1999 and 2000. Rosshandler analyses ...
Nasgaard's essay divides Richter's paintings into figurative, constructive and abstract "periods" de...
The artwork by Hayter might be classified within the Op Art movement of its time, it also has qualit...
A major catalogue accompanying Marchetti's exhibition of gallery installations conceived as musical ...
A research on the practise of the visual memory of Giorgio Morandi from paintings by C\ue9zanne, Pic...
Marchand briefly presents Molinari's career and interviews the artist on the specificity of his pict...
An anthology presenting 27 texts by Molinari about his formal concerns (abstraction, seriality, hard...
Tracing Molinari's trajectory from 1951 to 1973, Bengle comments on the artist's research on colour ...
On the occasion of the New York retrospective, Campbell walks us through an allusive chronological a...
Welsh and Campbell's indepth essays document Molinari's personal and professional life up to 1961 an...
Burnett documents calligraphy, gouaches and drawings produced by Molinari between 1953 and 1975. Bio...
Smith briefly analyses Comtois' sculptures and Molinari's paintings. Théberge outlines the developme...
The study of structural constants (based on factors of mass and direction) in the artist's drawings ...
Thériault traces an evolving elimination of the referential in Molinari's paintings. Includes an int...
Nasgaard compares Martin's "World Paintings" and "One-Colour Paintings" and focuses on the phenomeno...
This publication relates exclusively to Metson’s paintings from 1999 and 2000. Rosshandler analyses ...
Nasgaard's essay divides Richter's paintings into figurative, constructive and abstract "periods" de...
The artwork by Hayter might be classified within the Op Art movement of its time, it also has qualit...
A major catalogue accompanying Marchetti's exhibition of gallery installations conceived as musical ...
A research on the practise of the visual memory of Giorgio Morandi from paintings by C\ue9zanne, Pic...