Add to ORKGThe study of structural constants (based on factors of mass and direction) in the artist's drawings and paintings allow Burnett to unveil both the intensity and integrity of the creative process in Molinari's work. Biographical notes. Bibl. 2 p
Mantegna was a supremely confident draughtsman and there is no evidence in his underdrawings of the ...
This research will trace changes in approaches to pictorial space, image surface and materiality fro...
These pages are from Massimo Recalcati’s book Il Mistero delle cose. Nove ritratti di artista (Feltr...
The study of structural constants (based on factors of mass and direction) in the artist's drawings ...
Burnett documents calligraphy, gouaches and drawings produced by Molinari between 1953 and 1975. Bio...
Tracing Molinari's trajectory from 1951 to 1973, Bengle comments on the artist's research on colour ...
Marchand briefly presents Molinari's career and interviews the artist on the specificity of his pict...
Welsh and Campbell's indepth essays document Molinari's personal and professional life up to 1961 an...
An anthology presenting 27 texts by Molinari about his formal concerns (abstraction, seriality, hard...
On the occasion of the New York retrospective, Campbell walks us through an allusive chronological a...
Smith briefly analyses Comtois' sculptures and Molinari's paintings. Théberge outlines the developme...
Il volume, realizzato con il contributo del Dipartimento di Studi Umanistici dell’Università degli S...
Lorenzetti Loredano Matteo. Art, connaissance et thérapie. In: Bulletin de psychologie, tome 46 n°41...
Defining Paolozzi's work as expressing a quality of mystery, Kirkpatrick describes the artist's work...
Marshall analyses Nutt's drawings of objects/symbols in relation to realism, surrealism, trompe-l'oe...
Mantegna was a supremely confident draughtsman and there is no evidence in his underdrawings of the ...
This research will trace changes in approaches to pictorial space, image surface and materiality fro...
These pages are from Massimo Recalcati’s book Il Mistero delle cose. Nove ritratti di artista (Feltr...
The study of structural constants (based on factors of mass and direction) in the artist's drawings ...
Burnett documents calligraphy, gouaches and drawings produced by Molinari between 1953 and 1975. Bio...
Tracing Molinari's trajectory from 1951 to 1973, Bengle comments on the artist's research on colour ...
Marchand briefly presents Molinari's career and interviews the artist on the specificity of his pict...
Welsh and Campbell's indepth essays document Molinari's personal and professional life up to 1961 an...
An anthology presenting 27 texts by Molinari about his formal concerns (abstraction, seriality, hard...
On the occasion of the New York retrospective, Campbell walks us through an allusive chronological a...
Smith briefly analyses Comtois' sculptures and Molinari's paintings. Théberge outlines the developme...
Il volume, realizzato con il contributo del Dipartimento di Studi Umanistici dell’Università degli S...
Lorenzetti Loredano Matteo. Art, connaissance et thérapie. In: Bulletin de psychologie, tome 46 n°41...
Defining Paolozzi's work as expressing a quality of mystery, Kirkpatrick describes the artist's work...
Marshall analyses Nutt's drawings of objects/symbols in relation to realism, surrealism, trompe-l'oe...
Mantegna was a supremely confident draughtsman and there is no evidence in his underdrawings of the ...
This research will trace changes in approaches to pictorial space, image surface and materiality fro...
These pages are from Massimo Recalcati’s book Il Mistero delle cose. Nove ritratti di artista (Feltr...