Add to ORKGAn article on an early set of three Chinese export harbourviews in the Rijksmuseum Amsterdam: View on Macau, the Reach of Whampoa, and the Quai of Canton. The paintings once belonged to the famous Chinese collection of J.Th. Royer, the 18th century collector of Chinese art. They are in the collection of the National Museum of Ethnology Leiden since 1883 and currently on a permanent display in the Rijksmuseum.Modern and Contemporary Studie
This article examines the 1935–1936 International Exhibition of Chinese Art in London, “the largest ...
This article examines European depictions of Asians during the early modern period, arguing that ima...
This article examines European depictions of Asians during the early modern period, arguing that ima...
An article on an early set of three Chinese export harbourviews in the Rijksmuseum Amsterdam: View o...
This article presents a brief overview of research results deriving from the investigation of a grou...
In the 19th century Chinese export paintings had a strong appeal to foreigners, who were in China be...
The Chinese export paintings collection of the National Museum of Ethnology in Leiden includes ten w...
Have you ever suspected that all this recent talk about China and globalization might be just a litt...
The starting point for this study is that for a large part of their existence, the paintings belon...
Article (Chapter) in proceedings of the First Rombouts Graduate Conference Globalization and Glocali...
Chinese export paintings in Dutch public collections. A shared cultural visual repertoireThe collect...
This research investigates the roots of Chinese export watercolours - produced at Canton for Western...
This article examines the 1935–1936 International Exhibition of Chinese Art in London, “the largest ...
This article examines European depictions of Asians during the early modern period, arguing that ima...
This article examines the 1935–1936 International Exhibition of Chinese Art in London, “the largest ...
This article examines the 1935–1936 International Exhibition of Chinese Art in London, “the largest ...
This article examines European depictions of Asians during the early modern period, arguing that ima...
This article examines European depictions of Asians during the early modern period, arguing that ima...
An article on an early set of three Chinese export harbourviews in the Rijksmuseum Amsterdam: View o...
This article presents a brief overview of research results deriving from the investigation of a grou...
In the 19th century Chinese export paintings had a strong appeal to foreigners, who were in China be...
The Chinese export paintings collection of the National Museum of Ethnology in Leiden includes ten w...
Have you ever suspected that all this recent talk about China and globalization might be just a litt...
The starting point for this study is that for a large part of their existence, the paintings belon...
Article (Chapter) in proceedings of the First Rombouts Graduate Conference Globalization and Glocali...
Chinese export paintings in Dutch public collections. A shared cultural visual repertoireThe collect...
This research investigates the roots of Chinese export watercolours - produced at Canton for Western...
This article examines the 1935–1936 International Exhibition of Chinese Art in London, “the largest ...
This article examines European depictions of Asians during the early modern period, arguing that ima...
This article examines the 1935–1936 International Exhibition of Chinese Art in London, “the largest ...
This article examines the 1935–1936 International Exhibition of Chinese Art in London, “the largest ...
This article examines European depictions of Asians during the early modern period, arguing that ima...
This article examines European depictions of Asians during the early modern period, arguing that ima...