This article examines European depictions of Asians during the early modern period, arguing that images were determined by the conditions of the relationship between Europe and Asia. Europe's marginal position and limited access in the 16th and 17th century encouraged invention rather than observation. Increasing access and dominance in the 18th and 19th did not necessarily encourage greater accuracy. It remained rare for an Asian to escape landscape and history: for portraits to allow the individual to emerge from the type that he or she illustrated, or for Asia to escape the past to which it had by then been consigned
What is the origin and essence of fashion? This question has engaged scholars of various disciplines...
What is the origin and essence of fashion? This question has engaged scholars of various disciplines...
Standing in front of an 18th century collector’s cabinet in a European museum today, the historical ...
This article examines European depictions of Asians during the early modern period, arguing that ima...
European writings on Chinese art were cultural products illustrating how Europeans understood and ev...
This article explores popular British ideas about Asia from the mid-seventeenth century to the early...
This essay presents two late 18th century European travelers’ encounters with and perceptions of rel...
What did seventeenth century Europeans know and think about China? How were the Chinese depicted in ...
Much has been written of late about the geographical contexts of Western political thought, particul...
UID/HIS/04666/2013The panel investigates a selection of seventeenth-century Japanese cartographic fo...
This article has no intention to deconstruct the now classical Saidian idea that Western Orientalism...
By exploring early available travelling Western illustrations, image sources for the Akita Ranga pai...
This article examines intercultural interactions between Europe and China in the eighteenth century....
A continuing interest in the relationship between the 'decorative' and the 'technological' is a key ...
Conference Theme: Ideas and enlightenment: The Long Eighteenth CenturyThe proposed paper traces the ...
What is the origin and essence of fashion? This question has engaged scholars of various disciplines...
What is the origin and essence of fashion? This question has engaged scholars of various disciplines...
Standing in front of an 18th century collector’s cabinet in a European museum today, the historical ...
This article examines European depictions of Asians during the early modern period, arguing that ima...
European writings on Chinese art were cultural products illustrating how Europeans understood and ev...
This article explores popular British ideas about Asia from the mid-seventeenth century to the early...
This essay presents two late 18th century European travelers’ encounters with and perceptions of rel...
What did seventeenth century Europeans know and think about China? How were the Chinese depicted in ...
Much has been written of late about the geographical contexts of Western political thought, particul...
UID/HIS/04666/2013The panel investigates a selection of seventeenth-century Japanese cartographic fo...
This article has no intention to deconstruct the now classical Saidian idea that Western Orientalism...
By exploring early available travelling Western illustrations, image sources for the Akita Ranga pai...
This article examines intercultural interactions between Europe and China in the eighteenth century....
A continuing interest in the relationship between the 'decorative' and the 'technological' is a key ...
Conference Theme: Ideas and enlightenment: The Long Eighteenth CenturyThe proposed paper traces the ...
What is the origin and essence of fashion? This question has engaged scholars of various disciplines...
What is the origin and essence of fashion? This question has engaged scholars of various disciplines...
Standing in front of an 18th century collector’s cabinet in a European museum today, the historical ...