Article (Chapter) in proceedings of the First Rombouts Graduate Conference Globalization and Glocalization in China, at Leiden University, held in Leiden on 6 and 7 September 2011.This article offers a closer examination of Chinese export harbour views and, in doing so, reveals that waterfronts and ports - essential places in the transcontinental movement of commodities - were a significant topic of Chinese export paintings. This article discusses the material (these paintings) as commodities and it touches briefly upon some theoretical approaches which seem useful to open up these works of art.<br /
Panel: The artistic exchange in Late imperial ChinaQing Canton was a city of international trade att...
Chinese export painting had a strong appeal to foreign powers active in China and neighbouring Asian...
This research paper provides a detailed analysis of how China has become the fastest growing art mar...
In the 19th century Chinese export paintings had a strong appeal to foreigners, who were in China be...
The starting point for this study is that for a large part of their existence, the paintings belon...
Chinese export paintings in Dutch public collections. A shared cultural visual repertoireThe collect...
This article presents a brief overview of research results deriving from the investigation of a grou...
An article on an early set of three Chinese export harbourviews in the Rijksmuseum Amsterdam: View o...
The name Canton, used to designate the Southeastern port of Guangzhou, was coined by the British and...
Chinese export painting had a strong appeal to foreign powers active in China and neighbouring Asian...
During the early modern period, objects of maritime material culture were removed from their places ...
This 2017 Chinese Object Studies Workshop examines the illusive genre of “Chinese export objects.” F...
In the West, Chinoiserie and Chinese export art have been studied extensively, however not until mus...
The German Port Museum is scheduled to open in Hamburg in 2020 as one of Germany’s biggest and best ...
The history of collecting and exhibiting art has become a subject as important as history of artwork...
Panel: The artistic exchange in Late imperial ChinaQing Canton was a city of international trade att...
Chinese export painting had a strong appeal to foreign powers active in China and neighbouring Asian...
This research paper provides a detailed analysis of how China has become the fastest growing art mar...
In the 19th century Chinese export paintings had a strong appeal to foreigners, who were in China be...
The starting point for this study is that for a large part of their existence, the paintings belon...
Chinese export paintings in Dutch public collections. A shared cultural visual repertoireThe collect...
This article presents a brief overview of research results deriving from the investigation of a grou...
An article on an early set of three Chinese export harbourviews in the Rijksmuseum Amsterdam: View o...
The name Canton, used to designate the Southeastern port of Guangzhou, was coined by the British and...
Chinese export painting had a strong appeal to foreign powers active in China and neighbouring Asian...
During the early modern period, objects of maritime material culture were removed from their places ...
This 2017 Chinese Object Studies Workshop examines the illusive genre of “Chinese export objects.” F...
In the West, Chinoiserie and Chinese export art have been studied extensively, however not until mus...
The German Port Museum is scheduled to open in Hamburg in 2020 as one of Germany’s biggest and best ...
The history of collecting and exhibiting art has become a subject as important as history of artwork...
Panel: The artistic exchange in Late imperial ChinaQing Canton was a city of international trade att...
Chinese export painting had a strong appeal to foreign powers active in China and neighbouring Asian...
This research paper provides a detailed analysis of how China has become the fastest growing art mar...