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An interview of Sarah Elgart by Harmony Bench, which took place via Skype on January 11, 2019
A Conversation between Arabella Stanger and Simon Ellis regarding student screendance projects at Ro...
In this provocation, I ask what is it to watch screendance, what is at stake, and what comes into pl...
Ruth Solomon arrived at the University of California, Santa Cruz in 1970 as a professor in the theat...
An interview of Sarah Elgart by Harmony Bench, which took place via Skype on January 11, 2019
A conversation about screendance training in U.S. universities with Jason Bahling, Natalie Gotter, B...
This is a review of the Dance on Camera Festival that took place in January 2017 in New York City at...
This is a conversation between Heike Salzer, Artistic Director of Salts and Ana Baer, Artistic Co-Di...
An interview of Douglas Rosenberg by Simon Ellis, conducted via Skype on 20 December 2018
Siobhan Davies and David Hinton met with Claudia Kappenberg at the Southbank Centre London on 2/7/20...
Moving 24fps is a platform where teams of one professional dance maker and one filmmaker are paired ...
This paper examines the kinesthetic exchanges between camera operators and dancers, and proposes tha...
The Australian performing arts collective, Remnant Dance, has a partnership with the charity organis...
A Conversation between Arabella Stanger and Simon Ellis regarding student screendance projects at Ro...
In this provocation, I ask what is it to watch screendance, what is at stake, and what comes into pl...
Ruth Solomon arrived at the University of California, Santa Cruz in 1970 as a professor in the theat...
An interview of Sarah Elgart by Harmony Bench, which took place via Skype on January 11, 2019
A conversation about screendance training in U.S. universities with Jason Bahling, Natalie Gotter, B...
This is a review of the Dance on Camera Festival that took place in January 2017 in New York City at...
This is a conversation between Heike Salzer, Artistic Director of Salts and Ana Baer, Artistic Co-Di...
An interview of Douglas Rosenberg by Simon Ellis, conducted via Skype on 20 December 2018
Siobhan Davies and David Hinton met with Claudia Kappenberg at the Southbank Centre London on 2/7/20...
Moving 24fps is a platform where teams of one professional dance maker and one filmmaker are paired ...
This paper examines the kinesthetic exchanges between camera operators and dancers, and proposes tha...
The Australian performing arts collective, Remnant Dance, has a partnership with the charity organis...
A Conversation between Arabella Stanger and Simon Ellis regarding student screendance projects at Ro...
In this provocation, I ask what is it to watch screendance, what is at stake, and what comes into pl...
Ruth Solomon arrived at the University of California, Santa Cruz in 1970 as a professor in the theat...
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