Add to ORKGThis is a conversation between Heike Salzer, Artistic Director of Salts and Ana Baer, Artistic Co-Director of the Sans Souci Festival of Dance Cinema. They talk about the creative process of a videographer, the Sans Souci Festival, and the importance of screens, audiences and legacy
This paper argues that screendance has always had a potential for interactivity, looks specifically ...
The genre of Dance for Camera has been around for many years. This platform provides choreographers ...
Dance and film are two distinct mediums of expression. Movement drives both of these art forms and ...
This is a conversation between Heike Salzer, Artistic Director of Salts and Ana Baer, Artistic Co-Di...
Choreography plays a major role in the dance community. Most ballets, concert pieces, and competitio...
Due to the recentness of the field of dance filmmaking, little research exists on the difference bet...
This is an edited version of a paper, which was first presented at the American Dance Festival (ADF,...
This paper examines the kinesthetic exchanges between camera operators and dancers, and proposes tha...
International audienceChoreographers rarely have access to interactive tools that are designed speci...
This research is situated in the field of practice-led research investigating embodied perspectives ...
The project I am presenting is a series of improvisational dance works that I have edited together i...
In this provocation, I ask what is it to watch screendance, what is at stake, and what comes into pl...
A conversation about screendance training in U.S. universities with Jason Bahling, Natalie Gotter, B...
Lila A. Reid Master of Fine Arts Department of Dance June 2018 Title: Using Collaborative Proces...
Within dance performance which utilizes real-time video projection, there is a tendency to create a ...
This paper argues that screendance has always had a potential for interactivity, looks specifically ...
The genre of Dance for Camera has been around for many years. This platform provides choreographers ...
Dance and film are two distinct mediums of expression. Movement drives both of these art forms and ...
This is a conversation between Heike Salzer, Artistic Director of Salts and Ana Baer, Artistic Co-Di...
Choreography plays a major role in the dance community. Most ballets, concert pieces, and competitio...
Due to the recentness of the field of dance filmmaking, little research exists on the difference bet...
This is an edited version of a paper, which was first presented at the American Dance Festival (ADF,...
This paper examines the kinesthetic exchanges between camera operators and dancers, and proposes tha...
International audienceChoreographers rarely have access to interactive tools that are designed speci...
This research is situated in the field of practice-led research investigating embodied perspectives ...
The project I am presenting is a series of improvisational dance works that I have edited together i...
In this provocation, I ask what is it to watch screendance, what is at stake, and what comes into pl...
A conversation about screendance training in U.S. universities with Jason Bahling, Natalie Gotter, B...
Lila A. Reid Master of Fine Arts Department of Dance June 2018 Title: Using Collaborative Proces...
Within dance performance which utilizes real-time video projection, there is a tendency to create a ...
This paper argues that screendance has always had a potential for interactivity, looks specifically ...
The genre of Dance for Camera has been around for many years. This platform provides choreographers ...
Dance and film are two distinct mediums of expression. Movement drives both of these art forms and ...