Add to ORKGIn this provocation, I ask what is it to watch screendance, what is at stake, and what comes into play? I suggest that in identifying works as examples of “dance on screen”, we enter into a complex history of aesthetic innovations, marketing criteria, funding systems, and intellectual debates. I compare the viewing practices of film, television and the internet, and consider how different screen formats shape experiences of teaching and research. I reflect upon the ethics of participation in online debates, and suggest that the modes and stakes of watching are as important as the dance itself
© 2015 Dr. Elena Natalie BenthausThis thesis locates the American television show So You Think You C...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
In this provocation, I ask what is it to watch screendance, what is at stake, and what comes into pl...
Due to the recentness of the field of dance filmmaking, little research exists on the difference bet...
This is an edited version of a paper, which was first presented at the American Dance Festival (ADF,...
This article aims to extend the idea that screendance is a set of dispositions and elements which ca...
This paper argues that screendance has always had a potential for interactivity, looks specifically ...
Many screendance authors seem to worry about the marginalized state of the practice and its lack of ...
There was a time when screendance implied a dancing body. The “dance” may have taken the...
With the rapid development of camera technologies and screening platforms over the past 10 years com...
This thesis concerns the relationship between the dancer, the camera, and the screen viewer in the m...
The development of cinema and the development of modern dance are so deeply intertwined, that two le...
Following the Screendance Competition at the Leeds International Film Festival in 2015, I was struck...
© 2015 Dr. Elena Natalie BenthausThis thesis locates the American television show So You Think You C...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
In this provocation, I ask what is it to watch screendance, what is at stake, and what comes into pl...
Due to the recentness of the field of dance filmmaking, little research exists on the difference bet...
This is an edited version of a paper, which was first presented at the American Dance Festival (ADF,...
This article aims to extend the idea that screendance is a set of dispositions and elements which ca...
This paper argues that screendance has always had a potential for interactivity, looks specifically ...
Many screendance authors seem to worry about the marginalized state of the practice and its lack of ...
There was a time when screendance implied a dancing body. The “dance” may have taken the...
With the rapid development of camera technologies and screening platforms over the past 10 years com...
This thesis concerns the relationship between the dancer, the camera, and the screen viewer in the m...
The development of cinema and the development of modern dance are so deeply intertwined, that two le...
Following the Screendance Competition at the Leeds International Film Festival in 2015, I was struck...
© 2015 Dr. Elena Natalie BenthausThis thesis locates the American television show So You Think You C...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...