Archaeological and analytical evidence for art and craft practices may often usefully be supplemented by reference to contemporary craft treatises and recipes. However such texts are not always available for a given region and period. This paper examines alternative textual sources that may shed light on material availability and use, using the example of Anglo-Saxon England (c.600-1100 CE). The range of relevant text types is described, with example quotations. Their reliability and limitations as evidence are discussed. The colouring materials that are suggested by these sources to be possibly present in Anglo-Saxon artefacts are summarised and compared with results of chemical analyses and archaeological findings
During the first quarter of the twelfth century artists in the scriptoria of English monastic houses...
The relationship between bibliographic and archival research, on the one hand, and object-based stud...
The Lost Art of the Anglo-Saxon World: the sacred and secular power of embroidery is the first subst...
This article aims to evaluate the likelihood that whelk dye was known in Anglo-Saxon England, either...
This study concentrates upon two diverse categories of enamelled objects: items considered to be typ...
This synthesizing study brings together for the first time information from various primary and seco...
A history of Saxon ceramic studies precedes a proposed theoretical framework to replace the present ...
Naturally occurring minerals or their synthetic analogues have been important as pigments used in ar...
The pigments used in four high-status, datable, late medieval English manuscripts are identified by ...
The study of Anglo-Saxon style pottery from the 4th and 5th century can provide more detailed inform...
The study of Anglo-Saxon style pottery from the 4th and 5th century can provide more detailed inform...
The thesis aims to identify, as far as possible, the probable centres of production for the iron age...
The pigments used in four high-status, datable, late medieval English manuscripts are identified by ...
This paper discusses the pigments used in medieval manuscripts. Specific types of pigments that are ...
Medieval literature transmits important information regarding art materials and techniques, even in ...
During the first quarter of the twelfth century artists in the scriptoria of English monastic houses...
The relationship between bibliographic and archival research, on the one hand, and object-based stud...
The Lost Art of the Anglo-Saxon World: the sacred and secular power of embroidery is the first subst...
This article aims to evaluate the likelihood that whelk dye was known in Anglo-Saxon England, either...
This study concentrates upon two diverse categories of enamelled objects: items considered to be typ...
This synthesizing study brings together for the first time information from various primary and seco...
A history of Saxon ceramic studies precedes a proposed theoretical framework to replace the present ...
Naturally occurring minerals or their synthetic analogues have been important as pigments used in ar...
The pigments used in four high-status, datable, late medieval English manuscripts are identified by ...
The study of Anglo-Saxon style pottery from the 4th and 5th century can provide more detailed inform...
The study of Anglo-Saxon style pottery from the 4th and 5th century can provide more detailed inform...
The thesis aims to identify, as far as possible, the probable centres of production for the iron age...
The pigments used in four high-status, datable, late medieval English manuscripts are identified by ...
This paper discusses the pigments used in medieval manuscripts. Specific types of pigments that are ...
Medieval literature transmits important information regarding art materials and techniques, even in ...
During the first quarter of the twelfth century artists in the scriptoria of English monastic houses...
The relationship between bibliographic and archival research, on the one hand, and object-based stud...
The Lost Art of the Anglo-Saxon World: the sacred and secular power of embroidery is the first subst...