This study concentrates upon two diverse categories of enamelled objects: items considered to be typical artefacts of the early Anglo-Saxon culture, which have essentially been dated to the sixth century, together with, approximately contemporaneous, enamelled hanging bowl furnishings. Much has been written about hanging bowls, which are frequently discovered in early Anglo-Saxon contexts, but enamelled early Anglo-Saxon metalwork is sparse and therefore, to date, has received comparatively little attention. This thesis is the first comprehensive study of enamelled early Anglo-Saxon metalwork. A substantial component of the study is cata loguing both categories of enamelled artefacts from Anglo-Saxon England, supported by photographs and dr...
Garnet-inlaid metalwork was an emblem of elite culture in the early medieval North Sea world. This s...
This thesis is an investigation into the craftsmanship employed in copper substrate manufacture, hid...
Embroidery made and used in early medieval England (c. 450–1100) was considered fine art. Today 43 s...
This thesis presents a holistic study of Middle-Late Iron Age material culture from East Yorkshire (...
This thesis examines the development, production and function of dress pins in Anglo- Saxon England....
A study devoted to a major new Late Anglo-Saxon silver hoard discovered by metal-detectorists in the...
Metalwork has completely dominated our view of Iron Age decoration/art. This study, therefore, aim...
Archaeological and analytical evidence for art and craft practices may often usefully be supplemente...
The Lost Art of the Anglo-Saxon World: the sacred and secular power of embroidery is the first subst...
International audienceFourth century BCE works of art from south-western Germany and the Swiss Plate...
This thesis investigates Iron Age metalwork object hoards from Britain (800 BC – AD 100), identifyin...
A history of Saxon ceramic studies precedes a proposed theoretical framework to replace the present ...
This project presents a study of iron technology in Early Medieval (fifth to eleventh centuries AD) ...
This paper asks, what can decorative metalwork tell us about the way in which identities were expres...
The principle aim of the thesis was to examine the technology of Late Iron Age decorated metal work ...
Garnet-inlaid metalwork was an emblem of elite culture in the early medieval North Sea world. This s...
This thesis is an investigation into the craftsmanship employed in copper substrate manufacture, hid...
Embroidery made and used in early medieval England (c. 450–1100) was considered fine art. Today 43 s...
This thesis presents a holistic study of Middle-Late Iron Age material culture from East Yorkshire (...
This thesis examines the development, production and function of dress pins in Anglo- Saxon England....
A study devoted to a major new Late Anglo-Saxon silver hoard discovered by metal-detectorists in the...
Metalwork has completely dominated our view of Iron Age decoration/art. This study, therefore, aim...
Archaeological and analytical evidence for art and craft practices may often usefully be supplemente...
The Lost Art of the Anglo-Saxon World: the sacred and secular power of embroidery is the first subst...
International audienceFourth century BCE works of art from south-western Germany and the Swiss Plate...
This thesis investigates Iron Age metalwork object hoards from Britain (800 BC – AD 100), identifyin...
A history of Saxon ceramic studies precedes a proposed theoretical framework to replace the present ...
This project presents a study of iron technology in Early Medieval (fifth to eleventh centuries AD) ...
This paper asks, what can decorative metalwork tell us about the way in which identities were expres...
The principle aim of the thesis was to examine the technology of Late Iron Age decorated metal work ...
Garnet-inlaid metalwork was an emblem of elite culture in the early medieval North Sea world. This s...
This thesis is an investigation into the craftsmanship employed in copper substrate manufacture, hid...
Embroidery made and used in early medieval England (c. 450–1100) was considered fine art. Today 43 s...