This article discusses new sound pressure level (SPL) measurement strategies in the context of live music. A brief overview of the introduction of loudness normalization in broadcast audio engineering precedes a discussion of using average sound levels in measurements at concerts. The article closes with a short analysis of the implications of these developments for the notion of agency in the sociotechnical domain of audio production
The lack of a standardized method for controlling perceived loudness within the music industry has b...
Die als Loudness War bekannte Auseinandersetzung wird seit mehreren Jahrzehnten an unterschiedlichen...
This paper considers existing regulations, practices, and preferences regarding the measurement, mon...
This article describes one of the most fundamental changes in the history of audio in broadcasting: ...
© 2014 Malachy Ronan et al. Loudness normalisation has been heralded as a tonic for the loudness war...
Discrepancies in loudness (i.e. sensation of audio intensity) has been of great concern within the b...
Since the start of the loudness war, a steady increase of compression and limiting usage has affecte...
High volume or extreme loudness is ingrained in the aesthetics of many forms of amplified popular mu...
It is common practice for music productions to be mastered with the aim of increasing the perceived ...
The loudness wars have been a frequently debated topic in the audio industry. Earlier research has b...
<p>This paper briefly reviews a variety of metrics for quantifying the loudness and dynamic spread o...
The purpose of this paper is to provide some historical perspective on the so-called loudness war. C...
Prior research has shown that music that are more limited in the dynamic range are perceived to have...
Music content providers on the Internet like YouTube, Spotify or Apple Music, as well as a range of ...
The topic of this thesis is the permanently worsening situation in the area of loudness and dynamic ...
The lack of a standardized method for controlling perceived loudness within the music industry has b...
Die als Loudness War bekannte Auseinandersetzung wird seit mehreren Jahrzehnten an unterschiedlichen...
This paper considers existing regulations, practices, and preferences regarding the measurement, mon...
This article describes one of the most fundamental changes in the history of audio in broadcasting: ...
© 2014 Malachy Ronan et al. Loudness normalisation has been heralded as a tonic for the loudness war...
Discrepancies in loudness (i.e. sensation of audio intensity) has been of great concern within the b...
Since the start of the loudness war, a steady increase of compression and limiting usage has affecte...
High volume or extreme loudness is ingrained in the aesthetics of many forms of amplified popular mu...
It is common practice for music productions to be mastered with the aim of increasing the perceived ...
The loudness wars have been a frequently debated topic in the audio industry. Earlier research has b...
<p>This paper briefly reviews a variety of metrics for quantifying the loudness and dynamic spread o...
The purpose of this paper is to provide some historical perspective on the so-called loudness war. C...
Prior research has shown that music that are more limited in the dynamic range are perceived to have...
Music content providers on the Internet like YouTube, Spotify or Apple Music, as well as a range of ...
The topic of this thesis is the permanently worsening situation in the area of loudness and dynamic ...
The lack of a standardized method for controlling perceived loudness within the music industry has b...
Die als Loudness War bekannte Auseinandersetzung wird seit mehreren Jahrzehnten an unterschiedlichen...
This paper considers existing regulations, practices, and preferences regarding the measurement, mon...