This paper considers existing regulations, practices, and preferences regarding the measurement, monitoring, and management of sound levels at live music events. It brings together a brief overview of current regulations with the outcomes of a recent international survey of live sound engineers and evaluation of three datasets of sound measurement at live music events. The paper reveals the benefit of a 15-min time frame for the definition of equivalent continuous sound level limits in comparison to longer or shorter time frames. The paper also reveals support from the live sound engineering community for the application of sound level limits and development of a global certification system for live sound engineers.N/
Recent years the noise is one of the leading pollutants in working and living environment. Although ...
With the increased recognition of potential damage to listeners when subjected to excessively loud s...
This paper will investigate the risk of exposure to high SPL (Sound Pressure Level) from the enginee...
This paper considers existing regulations, practices, and preferences regarding the measurement, mon...
This is the final installment in a series of three papers looking into the subject of sound level mo...
A recent AES Technical Document on sound exposure and noise pollution due to outdoor music events pr...
Musical dynamics are often central within pieces of music and are therefore likely to be fundamental...
Risks to the hearing health of patrons and staff in the music industry have been well documented and...
Unlike manufacturing industries, assessing noise exposure in the performing arts scene is complicate...
This paper will describe the efforts of an Australian-based multidisciplinary working group to devel...
High sound levels are a feature of nightclubs and live music venues, and therefore pose a risk to pa...
© 2019 Siobhan Anne McGinnitySound levels in the live music industry have been demonstrated to reach...
Music induced hearing disorders and noise pollution are issues that emerge on the crossroads of soci...
This document contains review of evidence on sound level measurement, management and documentation i...
Although the importance of audience participation at events, in terms of verbal and non-verbal appre...
Recent years the noise is one of the leading pollutants in working and living environment. Although ...
With the increased recognition of potential damage to listeners when subjected to excessively loud s...
This paper will investigate the risk of exposure to high SPL (Sound Pressure Level) from the enginee...
This paper considers existing regulations, practices, and preferences regarding the measurement, mon...
This is the final installment in a series of three papers looking into the subject of sound level mo...
A recent AES Technical Document on sound exposure and noise pollution due to outdoor music events pr...
Musical dynamics are often central within pieces of music and are therefore likely to be fundamental...
Risks to the hearing health of patrons and staff in the music industry have been well documented and...
Unlike manufacturing industries, assessing noise exposure in the performing arts scene is complicate...
This paper will describe the efforts of an Australian-based multidisciplinary working group to devel...
High sound levels are a feature of nightclubs and live music venues, and therefore pose a risk to pa...
© 2019 Siobhan Anne McGinnitySound levels in the live music industry have been demonstrated to reach...
Music induced hearing disorders and noise pollution are issues that emerge on the crossroads of soci...
This document contains review of evidence on sound level measurement, management and documentation i...
Although the importance of audience participation at events, in terms of verbal and non-verbal appre...
Recent years the noise is one of the leading pollutants in working and living environment. Although ...
With the increased recognition of potential damage to listeners when subjected to excessively loud s...
This paper will investigate the risk of exposure to high SPL (Sound Pressure Level) from the enginee...