Teaching ResourceTeaching Resource87. Brasiliana, 1971. Antonio Henrique Amaral began his series of banana paintings, entitled Brasiliana in 1968. Using a tropical icon with popular culture overtones ("Yes, we have no bananas" and Carmen Miranda), painted in the colors of the Brazilian flag--green and yellow. Amaral was able to comment on the political situation in Brazil veiled in innocuous banality (bananality?). His vegetal protagonists were shown in various "situations"; sometimes pierced with forks or bound in a web of ropes. Covert commentary in a moment of harsh repression and censorship requires this kind of ambiguity to survive
72. Untitled (Bahian Women on the Beach), 1970. A number of artists settled in Salvador de Bahia dur...
96. Friendly Persuasion, 1969. Another of João Câmara\u27s typically grotesque human figure painting...
Teaching ResourceTeaching Resource97. Virtue, 1969. Humberto Espíndola from the interior city of Cui...
87. Brasiliana, 1971. Antonio Henrique Amaral began his series of banana paintings, entitled Brasili...
35. Meninas com a folha de bananeira (Children With a Banana Leaf), 1928-29. Segall paints his figur...
Teaching ResourceTeaching Resource35. Meninas com a folha de bananeira (Children With a Banana Leaf)...
34. Banana Plantation, 1927. Segall had immigrated to Brazil by the time he painted this picture, no...
Teaching ResourceTeaching Resource19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José...
19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José da Motta was one of the early sti...
31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the Black inhabitants of a Rio hillside...
30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad), 1924. Tarsila do Amaral is a le...
Teaching ResourceTeaching Resource30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad...
38. Abaporu, 1928. This icon of Brazilian Modernism was painted by Tarsila do Amaral as a gift for O...
27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazil of radically modern painting was...
Teaching ResourceTeaching Resource98. Galeria antropofágica I (Anthropographic Hall), 1974. Márcio S...
72. Untitled (Bahian Women on the Beach), 1970. A number of artists settled in Salvador de Bahia dur...
96. Friendly Persuasion, 1969. Another of João Câmara\u27s typically grotesque human figure painting...
Teaching ResourceTeaching Resource97. Virtue, 1969. Humberto Espíndola from the interior city of Cui...
87. Brasiliana, 1971. Antonio Henrique Amaral began his series of banana paintings, entitled Brasili...
35. Meninas com a folha de bananeira (Children With a Banana Leaf), 1928-29. Segall paints his figur...
Teaching ResourceTeaching Resource35. Meninas com a folha de bananeira (Children With a Banana Leaf)...
34. Banana Plantation, 1927. Segall had immigrated to Brazil by the time he painted this picture, no...
Teaching ResourceTeaching Resource19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José...
19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José da Motta was one of the early sti...
31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the Black inhabitants of a Rio hillside...
30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad), 1924. Tarsila do Amaral is a le...
Teaching ResourceTeaching Resource30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad...
38. Abaporu, 1928. This icon of Brazilian Modernism was painted by Tarsila do Amaral as a gift for O...
27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazil of radically modern painting was...
Teaching ResourceTeaching Resource98. Galeria antropofágica I (Anthropographic Hall), 1974. Márcio S...
72. Untitled (Bahian Women on the Beach), 1970. A number of artists settled in Salvador de Bahia dur...
96. Friendly Persuasion, 1969. Another of João Câmara\u27s typically grotesque human figure painting...
Teaching ResourceTeaching Resource97. Virtue, 1969. Humberto Espíndola from the interior city of Cui...