Add to ORKGThe chapter discusses aspects of scenography in three productions of Samuel Beckett's Waiting for Godot in Ireland: the Pike Theatre Godot of 1955, the 1969 Abbey Godot, and a production of the play by the Irish Theatre Company in 1982. These productions are placed in the context of a broader history of stage design in Ireland during these years, which is an area of Irish theatre history which is just beginning to be critically explored
<p class="p1"><span class="s1">In <em>Waiting for Godot </em>(1953) Beckett draws upon a non-tempora...
Written in French and first performed at the Théâtre de Babylone in Paris, in 1953, En attendant God...
Beckett remains one of the most important writers of the twentieth century whose radical experimenta...
This chapter examines productions of Beckett’s work at Dublin’s Focus Theatre, a seventy-two-seat ve...
From 1991, when the Dublin Gate Theatre launched their Samuel Beckett Festival featuring nineteen of...
First performed in 1953, Waiting for Godot is Samuel Beckett's masterpiece and one of the most impor...
Despite scenography’s role in the construction of Ireland as lived on the stage, its documentation i...
Theatre, Performance and Design: Scenographies in a Modernizing Ireland contributes to international...
Irish National Drama is very sensitive when it comes to the issue of English Colonization, colonial ...
This multi-authored essay presents some selected initial findings from the AHRC Staging Beckett rese...
This study presents the first performance history of Samuel Beckett’s drama in London theatres. The...
In the light of increasing emphasis in both criticism and theatrical productions on the Irishness of...
The Irish playwright Samuel Beckett has long been known for his indefatigable spirit of irreverence ...
The limits of scenography – like the limits of performance – are being continually expanded so that ...
This chapter argues that the modernization of design in Irish theatre can be linked to progressive m...
<p class="p1"><span class="s1">In <em>Waiting for Godot </em>(1953) Beckett draws upon a non-tempora...
Written in French and first performed at the Théâtre de Babylone in Paris, in 1953, En attendant God...
Beckett remains one of the most important writers of the twentieth century whose radical experimenta...
This chapter examines productions of Beckett’s work at Dublin’s Focus Theatre, a seventy-two-seat ve...
From 1991, when the Dublin Gate Theatre launched their Samuel Beckett Festival featuring nineteen of...
First performed in 1953, Waiting for Godot is Samuel Beckett's masterpiece and one of the most impor...
Despite scenography’s role in the construction of Ireland as lived on the stage, its documentation i...
Theatre, Performance and Design: Scenographies in a Modernizing Ireland contributes to international...
Irish National Drama is very sensitive when it comes to the issue of English Colonization, colonial ...
This multi-authored essay presents some selected initial findings from the AHRC Staging Beckett rese...
This study presents the first performance history of Samuel Beckett’s drama in London theatres. The...
In the light of increasing emphasis in both criticism and theatrical productions on the Irishness of...
The Irish playwright Samuel Beckett has long been known for his indefatigable spirit of irreverence ...
The limits of scenography – like the limits of performance – are being continually expanded so that ...
This chapter argues that the modernization of design in Irish theatre can be linked to progressive m...
<p class="p1"><span class="s1">In <em>Waiting for Godot </em>(1953) Beckett draws upon a non-tempora...
Written in French and first performed at the Théâtre de Babylone in Paris, in 1953, En attendant God...
Beckett remains one of the most important writers of the twentieth century whose radical experimenta...