This multi-authored essay presents some selected initial findings from the AHRC Staging Beckett research project led by the universities of Reading and Chester with the Victoria and Albert Museum, London. For example, how did changes in economic and cultural climates, such as funding structures, impact on productions of Beckett's plays in the UK and Ireland from the 1950’s to the first decade of the twenty-first century? The essay raises historiographical questions raised by the attempts to map or construct performance histories of Beckett's theatre in the UK and Ireland
This Introduction contextualises the SBT/A 29.2 (2017) special issue on Staging Beckett at the Margi...
Irish theatre in England has frequently illustrated the complex relations between two distinct cultu...
In response to the recent 'archival turn' within Beckett studies, this article argues that the value...
This study presents the first performance history of Samuel Beckett’s drama in London theatres. The...
From 1991, when the Dublin Gate Theatre launched their Samuel Beckett Festival featuring nineteen of...
Samuel Beckett’s intimate knowledge of art and personal friendship with artists, obscure and famous ...
This chapter examines productions of Beckett’s work at Dublin’s Focus Theatre, a seventy-two-seat ve...
In the context of national and global trends of producing Beckett’s work, this essay will investigat...
This special issue of Contemporary Theatre Review devoted to Staging Beckett aims to explore some of...
The chapter discusses aspects of scenography in three productions of Samuel Beckett's Waiting for Go...
This book chapter investigates the production history of the play, Krapp's last tape
This thesis provides a wide-ranging analysis of Shakespeare performance in the English provinces fro...
This thesis is a study of Beckett's later plays (those written in English as a first language) begin...
This essay explores the tension between the growing cultural capital of the Beckett ‘brand’ and the ...
Beckett and the Institution of Literature investigates the evolution of Samuel Beckett's ...
This Introduction contextualises the SBT/A 29.2 (2017) special issue on Staging Beckett at the Margi...
Irish theatre in England has frequently illustrated the complex relations between two distinct cultu...
In response to the recent 'archival turn' within Beckett studies, this article argues that the value...
This study presents the first performance history of Samuel Beckett’s drama in London theatres. The...
From 1991, when the Dublin Gate Theatre launched their Samuel Beckett Festival featuring nineteen of...
Samuel Beckett’s intimate knowledge of art and personal friendship with artists, obscure and famous ...
This chapter examines productions of Beckett’s work at Dublin’s Focus Theatre, a seventy-two-seat ve...
In the context of national and global trends of producing Beckett’s work, this essay will investigat...
This special issue of Contemporary Theatre Review devoted to Staging Beckett aims to explore some of...
The chapter discusses aspects of scenography in three productions of Samuel Beckett's Waiting for Go...
This book chapter investigates the production history of the play, Krapp's last tape
This thesis provides a wide-ranging analysis of Shakespeare performance in the English provinces fro...
This thesis is a study of Beckett's later plays (those written in English as a first language) begin...
This essay explores the tension between the growing cultural capital of the Beckett ‘brand’ and the ...
Beckett and the Institution of Literature investigates the evolution of Samuel Beckett's ...
This Introduction contextualises the SBT/A 29.2 (2017) special issue on Staging Beckett at the Margi...
Irish theatre in England has frequently illustrated the complex relations between two distinct cultu...
In response to the recent 'archival turn' within Beckett studies, this article argues that the value...