This paper presents a study on the subjective effects of modal spacing and density. These are measures often used as indicators to define particular aspect ratios and source positions to avoid low frequency reproduction problems in rooms. These indicators imply a given modal spacing leading to a supposedly less problematic response for the listener. An investigation into this topic shows that subjects can identify an optimal spacing between two resonances associated with a reduction of the overall decay. Further work to define a subjective counterpart to the Schroeder Frequency has revealed that an increase in density may not always lead to an improvement, as interaction between mode-shapes results in serious degradation of the stimul...
The subjective significance of two general types of metrics used to describe the “quality” of a room...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
Attempts have long been made to classify a room's low frequency audio reproduction capability with r...
This paper presents a study on the subjective effects of modal spacing and density. These are measur...
The reproduction of audio in small rooms is significantly affected by room modes – resonant frequenc...
The reproduction of audio in small rooms is significantly affected by room modes – resonant frequenc...
The ability to objectively measure the reproduction quality of a small room at low frequencies has l...
Critical listening rooms, like recording studio control rooms or listening rooms, are carefully desi...
The ability to objectively measure the reproduction quality of a small room at low frequencies has l...
The subjective significance of two general types of metrics used to describe the "quality" of a room...
The subjective significance of two general types of metrics used to describe the "quality" of a room...
The subjective significance of two general types of metrics used to describe the "quality" of a room...
The subjective significance of two general types of metrics used to describe the "quality" of a room...
The subjective significance of two general types of metrics used to describe the “quality” of a roo...
Attempts have long been made to classify a room's low frequency audio reproduction capability with r...
The subjective significance of two general types of metrics used to describe the “quality” of a room...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
Attempts have long been made to classify a room's low frequency audio reproduction capability with r...
This paper presents a study on the subjective effects of modal spacing and density. These are measur...
The reproduction of audio in small rooms is significantly affected by room modes – resonant frequenc...
The reproduction of audio in small rooms is significantly affected by room modes – resonant frequenc...
The ability to objectively measure the reproduction quality of a small room at low frequencies has l...
Critical listening rooms, like recording studio control rooms or listening rooms, are carefully desi...
The ability to objectively measure the reproduction quality of a small room at low frequencies has l...
The subjective significance of two general types of metrics used to describe the "quality" of a room...
The subjective significance of two general types of metrics used to describe the "quality" of a room...
The subjective significance of two general types of metrics used to describe the "quality" of a room...
The subjective significance of two general types of metrics used to describe the "quality" of a room...
The subjective significance of two general types of metrics used to describe the “quality” of a roo...
Attempts have long been made to classify a room's low frequency audio reproduction capability with r...
The subjective significance of two general types of metrics used to describe the “quality” of a room...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
Attempts have long been made to classify a room's low frequency audio reproduction capability with r...