Attempts have long been made to classify a room's low frequency audio reproduction capability with regards to its aspect ratio. Common metrics used have relied on the homogeneous distribution of modal frequencies and from these a number of 'optimal' aspect ratios have emerged. However, most of these metrics ignore the source and receiver coupling to the mode shapes - only a few account for this in the derivation of a figure of merit. The subjective validity of these attempts is tested and discussed. Examples are given of supposedly good room ratios with bad performance and vice versa. Subjective assessment of various room scenarios is undertaken and a ranking order has been obtained to correlate with a proposed figure of merit
This paper presents a study on the subjective effects of modal spacing and density. These are measur...
The reproduction of audio in small rooms is significantly affected by room modes – resonant frequenc...
The reproduction of audio in small rooms is significantly affected by room modes – resonant frequenc...
Attempts have long been made to classify a room's low frequency audio reproduction capability with r...
The subjective significance of two general types of metrics used to describe the "quality" of a room...
The subjective significance of two general types of metrics used to describe the “quality” of a room...
The subjective significance of two general types of metrics used to describe the "quality" of a room...
The subjective significance of two general types of metrics used to describe the "quality" of a room...
The subjective significance of two general types of metrics used to describe the "quality" of a room...
The subjective significance of two general types of metrics used to describe the “quality” of a roo...
Critical listening rooms, like recording studio control rooms or listening rooms, are carefully desi...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
This paper presents a study on the subjective effects of modal spacing and density. These are measur...
The reproduction of audio in small rooms is significantly affected by room modes – resonant frequenc...
The reproduction of audio in small rooms is significantly affected by room modes – resonant frequenc...
Attempts have long been made to classify a room's low frequency audio reproduction capability with r...
The subjective significance of two general types of metrics used to describe the "quality" of a room...
The subjective significance of two general types of metrics used to describe the “quality” of a room...
The subjective significance of two general types of metrics used to describe the "quality" of a room...
The subjective significance of two general types of metrics used to describe the "quality" of a room...
The subjective significance of two general types of metrics used to describe the "quality" of a room...
The subjective significance of two general types of metrics used to describe the “quality” of a roo...
Critical listening rooms, like recording studio control rooms or listening rooms, are carefully desi...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
This paper presents a study on the subjective effects of modal spacing and density. These are measur...
The reproduction of audio in small rooms is significantly affected by room modes – resonant frequenc...
The reproduction of audio in small rooms is significantly affected by room modes – resonant frequenc...