The quality of low frequency audio reproduction in small spaces has always been problematic. For some time, methods have been suggested in order to optimise this reproduction. Many such methods have been based upon objective metrics which remain unproven from a subjective perspective. Whilst perception has been studied, this thesis identifies a research gap for more thorough testing.A series of listening tests has been conducted, with virtual rooms auralised and presented over headphones in order to isolate specific modal parameters and allow efficient collection of subjective response from many listening environments.The work presented searches for optimal values and perceptual thresholds of three parameters - modal spacing, density and de...
In small rooms, low-frequency modes have a degrading influence on the quality of the bass components...
In small rooms, low-frequency modes have a degrading influence on the quality of the bass components...
For the critical assessment of music recordings the uniformity of the pressure amplitude response wi...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
Critical listening rooms are spaces carefully designed to provide the listener with an accurate list...
Methods to control the unwanted effects of low-frequency modes in critical listening rooms range fro...
Methods to control the unwanted effects of low-frequency modes in critical listening rooms range fro...
Methods to control the unwanted effects of low-frequency modes in critical listening rooms range fro...
Critical listening rooms are spaces carefully designed to provide the listener with an accurate list...
Several factors contribute to the perceived quality of reproduced low-frequency audio in small rooms...
Critical listening rooms, like recording studio control rooms or listening rooms, are carefully desi...
In small rooms, low-frequency modes have a degrading influence on the quality of the bass components...
In small rooms, low-frequency modes have a degrading influence on the quality of the bass components...
In small rooms, low-frequency modes have a degrading influence on the quality of the bass components...
In small rooms, low-frequency modes have a degrading influence on the quality of the bass components...
For the critical assessment of music recordings the uniformity of the pressure amplitude response wi...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
Critical listening rooms are spaces carefully designed to provide the listener with an accurate list...
Methods to control the unwanted effects of low-frequency modes in critical listening rooms range fro...
Methods to control the unwanted effects of low-frequency modes in critical listening rooms range fro...
Methods to control the unwanted effects of low-frequency modes in critical listening rooms range fro...
Critical listening rooms are spaces carefully designed to provide the listener with an accurate list...
Several factors contribute to the perceived quality of reproduced low-frequency audio in small rooms...
Critical listening rooms, like recording studio control rooms or listening rooms, are carefully desi...
In small rooms, low-frequency modes have a degrading influence on the quality of the bass components...
In small rooms, low-frequency modes have a degrading influence on the quality of the bass components...
In small rooms, low-frequency modes have a degrading influence on the quality of the bass components...
In small rooms, low-frequency modes have a degrading influence on the quality of the bass components...
For the critical assessment of music recordings the uniformity of the pressure amplitude response wi...