Add to ORKGThis paper examines Mervyn Peake’s fantastical renditions of London, focusing on the London-based city in Titus Alone but also drawing on Peake’s other writings together with manuscript material from the Mervyn Peake Archive at the British Library
There are good reasons to call London the capital of urban fantasy. Like no other city it embodies a...
Abstract. The image of the “Greater London”, capital of the Industrial Revolution, finds its visiona...
There was, perhaps, no other city in the world so thoroughly studied, chronicled, and recorded in 19...
This book examines 'home front' literature of the Second World War, arguing that Gothic tropes and f...
Book synopsis: London has taken a central role in urban Gothic, from key canonic texts like Strange ...
This paper shows how the experience of London questions the act of naming thus questioning the epist...
London has been peopled as much in the mind as in its streets. No city has been written about more. ...
In Arthur Machen’s novella N (1935), three elderly twentieth-century city-trotters – Perrott, Harlis...
Publisher\u27s Description: Colour digital images of rare books, ephemera, maps and other materials ...
In 1888 London was the capital of the most powerful empire the world had ever known, and the largest...
The use of Late Victorian London as a location in novels set in Imperial Great Britain has long been...
This project asserts that much of the cultural anxiety found in Gothic-infused late-Victorian fictio...
In the late Victorian era a new type of novel appeared. Dark and creepy, filled with supernatural cr...
The immensity and complexity of London have rendered it literally ‘unknowable’. Teasing out what imp...
In my thesis, I argue that there has been a trend in post-World War II British literature that posit...
There are good reasons to call London the capital of urban fantasy. Like no other city it embodies a...
Abstract. The image of the “Greater London”, capital of the Industrial Revolution, finds its visiona...
There was, perhaps, no other city in the world so thoroughly studied, chronicled, and recorded in 19...
This book examines 'home front' literature of the Second World War, arguing that Gothic tropes and f...
Book synopsis: London has taken a central role in urban Gothic, from key canonic texts like Strange ...
This paper shows how the experience of London questions the act of naming thus questioning the epist...
London has been peopled as much in the mind as in its streets. No city has been written about more. ...
In Arthur Machen’s novella N (1935), three elderly twentieth-century city-trotters – Perrott, Harlis...
Publisher\u27s Description: Colour digital images of rare books, ephemera, maps and other materials ...
In 1888 London was the capital of the most powerful empire the world had ever known, and the largest...
The use of Late Victorian London as a location in novels set in Imperial Great Britain has long been...
This project asserts that much of the cultural anxiety found in Gothic-infused late-Victorian fictio...
In the late Victorian era a new type of novel appeared. Dark and creepy, filled with supernatural cr...
The immensity and complexity of London have rendered it literally ‘unknowable’. Teasing out what imp...
In my thesis, I argue that there has been a trend in post-World War II British literature that posit...
There are good reasons to call London the capital of urban fantasy. Like no other city it embodies a...
Abstract. The image of the “Greater London”, capital of the Industrial Revolution, finds its visiona...
There was, perhaps, no other city in the world so thoroughly studied, chronicled, and recorded in 19...