There was, perhaps, no other city in the world so thoroughly studied, chronicled, and recorded in 19th-century literature and art than was the city London. Charming, picturesque descriptions of London from the first half of the century eventually gave way to more sober and unattractive views by the 1860s
Abstract. The image of the “Greater London”, capital of the Industrial Revolution, finds its visiona...
The evolution of an urban self-consciousness in London in the early nineteenth century played a fund...
The role of sight in the experience of the metropolis as a cultural artefact had a special significa...
There was, perhaps, no other city in the world so thoroughly studied, chronicled, and recorded in 19...
The picturesque refers to the nineteenth century\u27s leading aesthetic--one that rearranges landsca...
Divided into four sections, "Rags, Riches, Work" and "Play", the book covers Dore's panoply of 19th ...
"The first book in a hundred years to examine the greatest century in London's history. London in th...
Early nineteenth-century London is often seen as the architecturally poor cousin of other European c...
In the early 19th century, the city of London was a spreading city, with some relevant new buildings...
In the early 19th century, the city of London was a spreading city, with some relevant new buildings...
Gustave Doré’s wood-engraving, ‘Macaulay’s New Zealander’ in London: A Pilgrimage by Doré and Blanch...
London has been peopled as much in the mind as in its streets. No city has been written about more. ...
In Arthur Machen’s novella N (1935), three elderly twentieth-century city-trotters – Perrott, Harlis...
Depuis l’ouverture de Doré Gallery en 1868, Gustave Doré séjourne régulièrement à Londres où il est ...
This thesis presents a close comparison of Augustus Charles Pugin's illustrations for Paris and its ...
Abstract. The image of the “Greater London”, capital of the Industrial Revolution, finds its visiona...
The evolution of an urban self-consciousness in London in the early nineteenth century played a fund...
The role of sight in the experience of the metropolis as a cultural artefact had a special significa...
There was, perhaps, no other city in the world so thoroughly studied, chronicled, and recorded in 19...
The picturesque refers to the nineteenth century\u27s leading aesthetic--one that rearranges landsca...
Divided into four sections, "Rags, Riches, Work" and "Play", the book covers Dore's panoply of 19th ...
"The first book in a hundred years to examine the greatest century in London's history. London in th...
Early nineteenth-century London is often seen as the architecturally poor cousin of other European c...
In the early 19th century, the city of London was a spreading city, with some relevant new buildings...
In the early 19th century, the city of London was a spreading city, with some relevant new buildings...
Gustave Doré’s wood-engraving, ‘Macaulay’s New Zealander’ in London: A Pilgrimage by Doré and Blanch...
London has been peopled as much in the mind as in its streets. No city has been written about more. ...
In Arthur Machen’s novella N (1935), three elderly twentieth-century city-trotters – Perrott, Harlis...
Depuis l’ouverture de Doré Gallery en 1868, Gustave Doré séjourne régulièrement à Londres où il est ...
This thesis presents a close comparison of Augustus Charles Pugin's illustrations for Paris and its ...
Abstract. The image of the “Greater London”, capital of the Industrial Revolution, finds its visiona...
The evolution of an urban self-consciousness in London in the early nineteenth century played a fund...
The role of sight in the experience of the metropolis as a cultural artefact had a special significa...
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