Music performance is all about the expressive communication of artistic ideas. To express these ideas to an audience, musicians depend on their musical instrument. Within the embodied music cognition paradigm the musical instrument is considered to be a multimodal technology that mediates between the performers mind (musical ideas) and physical energy (the sounding music) (Leman, 2007). But what exactly does this mediating role consists of? Is the musical instrument a mere material channel through which pre-defined meaning is transferred to the listener? Or does it play a constitutive role for the generation and communication of musical meaning
Leman and Maes offer a comprehensive review of the main theoretical and empirical themes covered by ...
The embodied perspective on music cognition has stressed the central role of the body and body move-...
Music has the capacity to affect humans’ affective, social and cognitive abilities in different ways...
Music performance is all about the expressive communication of artistic ideas. To express these idea...
Intro and problem- Music performance is all about the expressive communication of artistic ideas. To...
During the past few decades, one of the core issues in the debate on human musicality has become exp...
Background in musicology. Understanding the gesture-based foundations of musical involvement open...
For embodied music cognition, the human body plays a determining role in musical production, percept...
This chapter outlines a conceptual approach to the musician–instrument relationship. The core idea o...
This chapter discusses the major trends in our current understanding of human–music interaction. The...
A recent paradigm shift in music research has allowed scholars to examine the macro- and micro-proce...
We present a new framework to study the interaction between musicians, technology and various capabi...
Musical communication involves performance and perception processes, both of which engage the sensor...
This paper presents an exploration of the ontological shift from musical materials (i.e. melody, har...
Viewing musical improvisation in the light of psychology and cognitive science, this thesis will exp...
Leman and Maes offer a comprehensive review of the main theoretical and empirical themes covered by ...
The embodied perspective on music cognition has stressed the central role of the body and body move-...
Music has the capacity to affect humans’ affective, social and cognitive abilities in different ways...
Music performance is all about the expressive communication of artistic ideas. To express these idea...
Intro and problem- Music performance is all about the expressive communication of artistic ideas. To...
During the past few decades, one of the core issues in the debate on human musicality has become exp...
Background in musicology. Understanding the gesture-based foundations of musical involvement open...
For embodied music cognition, the human body plays a determining role in musical production, percept...
This chapter outlines a conceptual approach to the musician–instrument relationship. The core idea o...
This chapter discusses the major trends in our current understanding of human–music interaction. The...
A recent paradigm shift in music research has allowed scholars to examine the macro- and micro-proce...
We present a new framework to study the interaction between musicians, technology and various capabi...
Musical communication involves performance and perception processes, both of which engage the sensor...
This paper presents an exploration of the ontological shift from musical materials (i.e. melody, har...
Viewing musical improvisation in the light of psychology and cognitive science, this thesis will exp...
Leman and Maes offer a comprehensive review of the main theoretical and empirical themes covered by ...
The embodied perspective on music cognition has stressed the central role of the body and body move-...
Music has the capacity to affect humans’ affective, social and cognitive abilities in different ways...