This chapter discusses the major trends in our current understanding of human–music interaction. These trends can be identified along three axes of scientific understanding, called "clarification", "evidence", and "modeling". Music research addresses dynamic constraints, meaning formation, and social aspects by focusing on bottom-up and top-down flows, as well as human–music flows. Gathering empirical evidence is a primary characteristic of modern music research, and reliable knowledge forms the cornerstone of the instrumental power of our understanding. Modeling offers an instrumental understanding of embodied music interactions, and this understanding paves the way for applications that may have a practical impact in the domain of study. ...
Musical technologies are evolving in such a way that they start to resemble the people that use the...
Life and social sciences often focus on the social nature of music (and language alike). In biology,...
In this chapter, the relationship between music and action is examined from two perspectives: one wh...
This Companion captures a new paradigm in the study of music interaction, as a wave of recent resear...
Embodied music cognition provides a valuable and comprehensive research paradigm within systematic m...
During the past few decades, one of the core issues in the debate on human musicality has become exp...
Background in musicology. Understanding the gesture-based foundations of musical involvement open...
The embodied paradigm recently applied to music cognition advocates the crucial role of the agents’ ...
Music is a natural partner to human-computer interaction, offering tasks and use cases for novel for...
Musical communication involves performance and perception processes, both of which engage the sensor...
Music has the capacity to affect humans’ affective, social and cognitive abilities in different ways...
This chapter outlines a conceptual approach to the musician–instrument relationship. The core idea o...
Performers’ ancillary body movements, which are generally thought to support sound-production, appea...
Interactions with music are based on bodily activities that co-determine perception and meaning form...
Life and social sciences often focus on the social nature of music (and language alike). In biology,...
Musical technologies are evolving in such a way that they start to resemble the people that use the...
Life and social sciences often focus on the social nature of music (and language alike). In biology,...
In this chapter, the relationship between music and action is examined from two perspectives: one wh...
This Companion captures a new paradigm in the study of music interaction, as a wave of recent resear...
Embodied music cognition provides a valuable and comprehensive research paradigm within systematic m...
During the past few decades, one of the core issues in the debate on human musicality has become exp...
Background in musicology. Understanding the gesture-based foundations of musical involvement open...
The embodied paradigm recently applied to music cognition advocates the crucial role of the agents’ ...
Music is a natural partner to human-computer interaction, offering tasks and use cases for novel for...
Musical communication involves performance and perception processes, both of which engage the sensor...
Music has the capacity to affect humans’ affective, social and cognitive abilities in different ways...
This chapter outlines a conceptual approach to the musician–instrument relationship. The core idea o...
Performers’ ancillary body movements, which are generally thought to support sound-production, appea...
Interactions with music are based on bodily activities that co-determine perception and meaning form...
Life and social sciences often focus on the social nature of music (and language alike). In biology,...
Musical technologies are evolving in such a way that they start to resemble the people that use the...
Life and social sciences often focus on the social nature of music (and language alike). In biology,...
In this chapter, the relationship between music and action is examined from two perspectives: one wh...