Musical technologies are evolving in such a way that they start to resemble the people that use them. In this vision it seems pertinent to abandon the conception of musicians as users of musical instruments in favor of machines and humans interacting to make music. Both the machine and the human can be modeled as embodied cognitive agents that comprise a network of musical gestures. These gestures are multi-modal signals that allow the agents to exert influence upon each other towards making music. This standpoint integrates traditional and novel music-making technologies, towards a better understanding of musical interaction.peerReviewe
International audienceThis article proposes an analytical perspective on the aural analysis of human...
Embodied cognition is a theory stating that the processes and functions comprising the human mind ar...
Music interactivity is a sub-field of human-computer interaction studies. Interactive situations hav...
Background in musicology. Understanding the gesture-based foundations of musical involvement open...
How can we make music with artificial intelligence (AI) in the future? Unlike most studies on AI and...
This chapter discusses the major trends in our current understanding of human–music interaction. The...
https://aimc2023.pubpub.org/pub/tgyib2ug How will machines perceive humans as diverse embodied enti...
This thesis suggests a new model of human-machine interaction in the domain of non-idiomatic musical...
Life and social sciences often focus on the social nature of music (and language alike). In biology,...
Musical communication involves performance and perception processes, both of which engage the sensor...
Life and social sciences often focus on the social nature of music (and language alike). In biology,...
Throughout the short history of interactive digital music,there have been frequent calls for a new l...
Musical Agents are an emerging technology, designed to provide a range of new musical opportunities ...
Music is a natural partner to human-computer interaction, offering tasks and use cases for novel for...
This chapter surveys the field of technologically mediated musical interaction and technologically e...
International audienceThis article proposes an analytical perspective on the aural analysis of human...
Embodied cognition is a theory stating that the processes and functions comprising the human mind ar...
Music interactivity is a sub-field of human-computer interaction studies. Interactive situations hav...
Background in musicology. Understanding the gesture-based foundations of musical involvement open...
How can we make music with artificial intelligence (AI) in the future? Unlike most studies on AI and...
This chapter discusses the major trends in our current understanding of human–music interaction. The...
https://aimc2023.pubpub.org/pub/tgyib2ug How will machines perceive humans as diverse embodied enti...
This thesis suggests a new model of human-machine interaction in the domain of non-idiomatic musical...
Life and social sciences often focus on the social nature of music (and language alike). In biology,...
Musical communication involves performance and perception processes, both of which engage the sensor...
Life and social sciences often focus on the social nature of music (and language alike). In biology,...
Throughout the short history of interactive digital music,there have been frequent calls for a new l...
Musical Agents are an emerging technology, designed to provide a range of new musical opportunities ...
Music is a natural partner to human-computer interaction, offering tasks and use cases for novel for...
This chapter surveys the field of technologically mediated musical interaction and technologically e...
International audienceThis article proposes an analytical perspective on the aural analysis of human...
Embodied cognition is a theory stating that the processes and functions comprising the human mind ar...
Music interactivity is a sub-field of human-computer interaction studies. Interactive situations hav...