This essay was written to accompany an exhibition entitled Time After Time & The Wild Ones by Nick Berkeley, Bridport Art Centre, Dorset, October 2022. It concerns two series of Berkeley's work: Time After Time, involving the printing of found images made with a slit-scan camera, and The Wild Ones, a suite of C-Type photographic prints of found images captured from low-quality online video content. The essay places these photographic projects in relation to recent and current discourses on so-called 'operational images', discussing how they work through careful and strategic displacements, the confounding of expectations, and the mobilising of the viewer's faculties of non-conscious cognition
Commissioned catalogue essay for rAndom International, Studies in Motion, Lunds Konsthall, Sweden, 2...
The democratisation of photography has gone hand-in-hand with the advent of the devices used for the...
Drawing from the exhibition "Fast Forward to the Analogue: vintage immersions" (Project Space, Unive...
A series of large-scale computer-generated photographic images, stereoscopic works and animations we...
The essay is a reflection on aspects of my own practice in relation to the conference themes of crea...
Over the course of the last 10 years, I think we have seen the influence of the Internet on media to...
Our memories can be precious, but they can also be flawed, changed over time to reflect what we want...
David Hinton and Sue Davis go back to the beginnings of cinema in All This Can Happen. A fascination...
Mick Finch’s body of digital collages, entitled The Book of Knowledge, explores the transcription an...
How can we visualise and subsequently reimagine the abstraction that is the extinction of human spec...
Now / Not Now is a free micro-publication produced as part of the Live Art in Scotland project explo...
This paper discusses networked digital-photographic images, in terms of “image flow”. I link current...
The essay is part of a larger project on the cultural history of Polaroid photography and draws on r...
In this article, the author begins to identify a new way to understand the experiment in arts and hu...
University of Technology Sydney. Faculty of Arts and Social Sciences.Captured images draw the visual...
Commissioned catalogue essay for rAndom International, Studies in Motion, Lunds Konsthall, Sweden, 2...
The democratisation of photography has gone hand-in-hand with the advent of the devices used for the...
Drawing from the exhibition "Fast Forward to the Analogue: vintage immersions" (Project Space, Unive...
A series of large-scale computer-generated photographic images, stereoscopic works and animations we...
The essay is a reflection on aspects of my own practice in relation to the conference themes of crea...
Over the course of the last 10 years, I think we have seen the influence of the Internet on media to...
Our memories can be precious, but they can also be flawed, changed over time to reflect what we want...
David Hinton and Sue Davis go back to the beginnings of cinema in All This Can Happen. A fascination...
Mick Finch’s body of digital collages, entitled The Book of Knowledge, explores the transcription an...
How can we visualise and subsequently reimagine the abstraction that is the extinction of human spec...
Now / Not Now is a free micro-publication produced as part of the Live Art in Scotland project explo...
This paper discusses networked digital-photographic images, in terms of “image flow”. I link current...
The essay is part of a larger project on the cultural history of Polaroid photography and draws on r...
In this article, the author begins to identify a new way to understand the experiment in arts and hu...
University of Technology Sydney. Faculty of Arts and Social Sciences.Captured images draw the visual...
Commissioned catalogue essay for rAndom International, Studies in Motion, Lunds Konsthall, Sweden, 2...
The democratisation of photography has gone hand-in-hand with the advent of the devices used for the...
Drawing from the exhibition "Fast Forward to the Analogue: vintage immersions" (Project Space, Unive...