Add to ORKGThis paper discusses networked digital-photographic images, in terms of “image flow”. I link current liquid metaphors (photo streams etc.) with theories of televisual “flow”, the flow of capital, and of image flow in robotics / computer vision. How might singular photographs be attended to in the context of the continuous, on-tap model of electronic and digital media
In this new essay, writer and researcher Andrew Dewdney responds to Daniel Rubinstein’s essay What i...
Twenty-two years since the arrival of the first consumer digital camera, Western culture is now char...
The recent advent of virtual photography and artificial intelligence (specifically AI photography an...
This thesis addresses the nature of the image and its relationship to human perception and memory. T...
Photography has contributed, throughout its history, to building up a framework of knowledge based o...
My thesis is about photography and its aesthetics in a world of digitized culture. The main hypothes...
The technology of our private portable screens has silently engendered a new visual presence, a tech...
This chapter explores the transformation of the photographic image through differing conceptual and ...
The philosopher of art Roger Scruton has claimed that photographic images are not representations, o...
This paper focuses on the use of photographic images in performance. Specifically, it explores notio...
The onset of digital photography involves an image not fixed on celluloid or paper, and whose very e...
Twenty two years since the arrival of the first consumer digital camera (Tatsuno 36) Western culture...
Photography, by many accounts, has been altered fundamentally by digitalisation. Consequently, the r...
This paper focuses on the use of photographic images in performance. Specifically, it explores notio...
"The proliferation of digital photographs on the Internet is incomprehensibly vast. These images owe...
In this new essay, writer and researcher Andrew Dewdney responds to Daniel Rubinstein’s essay What i...
Twenty-two years since the arrival of the first consumer digital camera, Western culture is now char...
The recent advent of virtual photography and artificial intelligence (specifically AI photography an...
This thesis addresses the nature of the image and its relationship to human perception and memory. T...
Photography has contributed, throughout its history, to building up a framework of knowledge based o...
My thesis is about photography and its aesthetics in a world of digitized culture. The main hypothes...
The technology of our private portable screens has silently engendered a new visual presence, a tech...
This chapter explores the transformation of the photographic image through differing conceptual and ...
The philosopher of art Roger Scruton has claimed that photographic images are not representations, o...
This paper focuses on the use of photographic images in performance. Specifically, it explores notio...
The onset of digital photography involves an image not fixed on celluloid or paper, and whose very e...
Twenty two years since the arrival of the first consumer digital camera (Tatsuno 36) Western culture...
Photography, by many accounts, has been altered fundamentally by digitalisation. Consequently, the r...
This paper focuses on the use of photographic images in performance. Specifically, it explores notio...
"The proliferation of digital photographs on the Internet is incomprehensibly vast. These images owe...
In this new essay, writer and researcher Andrew Dewdney responds to Daniel Rubinstein’s essay What i...
Twenty-two years since the arrival of the first consumer digital camera, Western culture is now char...
The recent advent of virtual photography and artificial intelligence (specifically AI photography an...