This Note argues for a federal classification of music videos as noncommercial, artistic speech under the First Amendment. As an artistic expression of a singer, music videos are no longer the promotional mini-movies they once were; they are now utilized widely by artists to express their artistic preferences—including the communication of social, political, and cultural doctrine
The entertainment industry tells people they shouldn’t steal music because they wouldn’t steal a car...
In 2011, ReDigi, Inc., a Massachusetts-based tech company, created the first resale marketplace for ...
Part I of this Note outlines the factual and procedural history of Williams and discusses the Ninth ...
This Note argues for a federal classification of music videos as noncommercial, artistic speech unde...
Perhaps the most ubiquitous of art forms, music accompanies daily activities from shopping to joggin...
As Bruce Springsteen and Ronald Reagan, Jackson Brown and John McCain, and Tom Morello and Paul Ryan...
Were Robin Thicke and Pharrell Williams perpetuating perceptions of misappropriation when they filed...
Music embodies two copyrights: one for the words and notes, and another for the particular sound rec...
Uniquely among all industrialized nations, the United States extended no copyright protection to sou...
For many years, courts all over the United States have told us what kind of movies we can watch,4 wh...
The World Intellectual Property Organization (WIPO) is seeking to reform U.S. copyright law. The WIP...
In 2014, Canadian recording artist Kiesza released the music video for “Hideaway,” which later becam...
This article suggests that copyright law can cover soundalike musical recordings. First, the facts a...
This Article explores the development of copyright law’s first sale doctrine and the Record Rental A...
In Lenz v. Universal, the United States District Court for the Northern District of California ruled...
The entertainment industry tells people they shouldn’t steal music because they wouldn’t steal a car...
In 2011, ReDigi, Inc., a Massachusetts-based tech company, created the first resale marketplace for ...
Part I of this Note outlines the factual and procedural history of Williams and discusses the Ninth ...
This Note argues for a federal classification of music videos as noncommercial, artistic speech unde...
Perhaps the most ubiquitous of art forms, music accompanies daily activities from shopping to joggin...
As Bruce Springsteen and Ronald Reagan, Jackson Brown and John McCain, and Tom Morello and Paul Ryan...
Were Robin Thicke and Pharrell Williams perpetuating perceptions of misappropriation when they filed...
Music embodies two copyrights: one for the words and notes, and another for the particular sound rec...
Uniquely among all industrialized nations, the United States extended no copyright protection to sou...
For many years, courts all over the United States have told us what kind of movies we can watch,4 wh...
The World Intellectual Property Organization (WIPO) is seeking to reform U.S. copyright law. The WIP...
In 2014, Canadian recording artist Kiesza released the music video for “Hideaway,” which later becam...
This article suggests that copyright law can cover soundalike musical recordings. First, the facts a...
This Article explores the development of copyright law’s first sale doctrine and the Record Rental A...
In Lenz v. Universal, the United States District Court for the Northern District of California ruled...
The entertainment industry tells people they shouldn’t steal music because they wouldn’t steal a car...
In 2011, ReDigi, Inc., a Massachusetts-based tech company, created the first resale marketplace for ...
Part I of this Note outlines the factual and procedural history of Williams and discusses the Ninth ...