This Article explores the development of copyright law’s first sale doctrine and the Record Rental Amendment (RRA) in light of the Sixth Circuit’s interpretation of the RRA in Brilliance Audio, Inc. v. Haights Cross Communications, Inc. This Article does not take issue with the court’s conclusion, but instead uses the differing conclusions of the majority and dissent to illustrate that the RRA exception is in need of Congressional clarification. This Article also examines whether the Record Rental Amendment should be amended to include audiobooks and other non-musical works, concluding that they should. The author then proposes two alternative amendments to the RRA; one to expand its scope to cover non-musical phonorecords, and one to clari...
Each month, over 100 million Americans listen to and discover music through Internet radio stations....
On February 4, 2009, Senator Patrick Leahy introduced the Performance Rights Act ( PRA ) to the Sena...
[Excerpt] The laws that determine who pays whom in the digital world were written, by and large, at ...
In January 2007, the Sixth Circuit Court of Appeals decided Brilliance Audio, Inc. v. Haights Cross ...
In 2011, ReDigi, Inc., a Massachusetts-based tech company, created the first resale marketplace for ...
Music embodies two copyrights: one for the words and notes, and another for the particular sound rec...
The Fairness in Musical Licensing Act, now pending before Congress, would allow restaurants owners a...
More than four years after Napster demonstrated the power of the Internet as a means of distributing...
This note examines how the Audio Home Recording Act of 1992 falls short of providing “fair compensat...
Compulsory licensing is a system by which the copyright owners of most music are required to license...
The 1976 Copyright Act entitles copyright owners of musical works to compensation for public perform...
With the addition of Section 1101 to United States copyright law, the United States Congress did mor...
This Article focuses on the topic of music copyright, but addresses this legal issue from a differen...
Record companies have long included language in standard recording contracts declaring all sound rec...
Since the rapid expansion of the Internet in the 1990s and through the 2000s, Internet entrepreneurs...
Each month, over 100 million Americans listen to and discover music through Internet radio stations....
On February 4, 2009, Senator Patrick Leahy introduced the Performance Rights Act ( PRA ) to the Sena...
[Excerpt] The laws that determine who pays whom in the digital world were written, by and large, at ...
In January 2007, the Sixth Circuit Court of Appeals decided Brilliance Audio, Inc. v. Haights Cross ...
In 2011, ReDigi, Inc., a Massachusetts-based tech company, created the first resale marketplace for ...
Music embodies two copyrights: one for the words and notes, and another for the particular sound rec...
The Fairness in Musical Licensing Act, now pending before Congress, would allow restaurants owners a...
More than four years after Napster demonstrated the power of the Internet as a means of distributing...
This note examines how the Audio Home Recording Act of 1992 falls short of providing “fair compensat...
Compulsory licensing is a system by which the copyright owners of most music are required to license...
The 1976 Copyright Act entitles copyright owners of musical works to compensation for public perform...
With the addition of Section 1101 to United States copyright law, the United States Congress did mor...
This Article focuses on the topic of music copyright, but addresses this legal issue from a differen...
Record companies have long included language in standard recording contracts declaring all sound rec...
Since the rapid expansion of the Internet in the 1990s and through the 2000s, Internet entrepreneurs...
Each month, over 100 million Americans listen to and discover music through Internet radio stations....
On February 4, 2009, Senator Patrick Leahy introduced the Performance Rights Act ( PRA ) to the Sena...
[Excerpt] The laws that determine who pays whom in the digital world were written, by and large, at ...