Compulsory licensing is a system by which the copyright owners of most music are required to license their music to others for recording purposes. Under present and prior law, the royalty rate to be paid under compulsory licenses is specified by statute. Although the parties to a license are free to negotiate both the terms and royalty rates of the license, the terms are in fact dictated by the recording industry and the statutory royalty rate is never exceeded. The author analyzes the events that have created this situation and recommends that the statutory royalty rate be greatly increased so as to provide copyright owners with more leverage with which to negotiate for more favorable terms and royalties
This Recent Development compares Buffalo Broadcasting with other blanket licensing decisions and pre...
In February 2015, the U.S. Copyright Office released a report entitled Copyright and the Music Marke...
In February 2015, the U.S. Copyright Office released a report entitled Copyright and the Music Marke...
Compulsory licensing is a system by which the copyright owners of most music are required to license...
Correspondence issued by the Government Accountability Office with an abstract that begins "Every da...
Since Napster made mass digital downloads and online piracy available and accessible in June of 1999...
I have been asked to participate at this Symposium as past Chair of the Copyright Board of Canada (“...
I have been asked to participate at this Symposium as past Chair of the Copyright Board of Canada (“...
H.R. 1417, 108th Congress, first session, was introduced on March 25, 2003 and passed by the House o...
Since Napster made mass digital downloads and online piracy available and accessible in June of 1999...
In music licensing, powerful music publishers have begun—for the first time ever— to withdraw their ...
The system for licensing music in the United States for public performances through radio, televisio...
[Excerpt] The laws that determine who pays whom in the digital world were written, by and large, at ...
In music licensing, powerful music publishers have begun—for the first time ever— to withdraw their ...
The author takes a careful look at the new Copyright Revision Act of 1976 from the perspective of wr...
This Recent Development compares Buffalo Broadcasting with other blanket licensing decisions and pre...
In February 2015, the U.S. Copyright Office released a report entitled Copyright and the Music Marke...
In February 2015, the U.S. Copyright Office released a report entitled Copyright and the Music Marke...
Compulsory licensing is a system by which the copyright owners of most music are required to license...
Correspondence issued by the Government Accountability Office with an abstract that begins "Every da...
Since Napster made mass digital downloads and online piracy available and accessible in June of 1999...
I have been asked to participate at this Symposium as past Chair of the Copyright Board of Canada (“...
I have been asked to participate at this Symposium as past Chair of the Copyright Board of Canada (“...
H.R. 1417, 108th Congress, first session, was introduced on March 25, 2003 and passed by the House o...
Since Napster made mass digital downloads and online piracy available and accessible in June of 1999...
In music licensing, powerful music publishers have begun—for the first time ever— to withdraw their ...
The system for licensing music in the United States for public performances through radio, televisio...
[Excerpt] The laws that determine who pays whom in the digital world were written, by and large, at ...
In music licensing, powerful music publishers have begun—for the first time ever— to withdraw their ...
The author takes a careful look at the new Copyright Revision Act of 1976 from the perspective of wr...
This Recent Development compares Buffalo Broadcasting with other blanket licensing decisions and pre...
In February 2015, the U.S. Copyright Office released a report entitled Copyright and the Music Marke...
In February 2015, the U.S. Copyright Office released a report entitled Copyright and the Music Marke...