Add to ORKGThis paper sets out to profile film translators in Italy in order to draw a connection between their working habits and routines and the development of linguistic regularities and shared translating behaviour that have been observed in dubbed Italian. The analysis has been carried out of quantitative data on productivity, together with qualitative interviews with highly successful translator-adaptors. This allowed us to draw interesting conclusions about the policy of commissions, the attitudes of this professional community and the reasons for their linguistic choices
In our paper we analyse the distribution and promotion of Italian films in English-speaking countrie...
In our paper we analyse the distribution and promotion of Italian films in English-speaking countrie...
In our paper we analyse the distribution and promotion of Italian films in English-speaking countrie...
Far from being two complementary aspects of the same reality, the theory and the practice of dubbing...
One main feature which distinguishes film translation from other translation types is the need to pr...
One main feature which distinguishes film translation from other translation types is the need to pr...
It is widely acknowledged that the larger European countries favour dubbing and the smaller countrie...
The aim of the present article is to describe, both quantitatively and qualitatively, how features o...
The aim of the present article is to describe, both quantitatively and qualitatively, how features o...
Even though audiovisual translation currently involves the use of new modes, such as audiodescriptio...
Dubbing is one of the most common modes of audiovisual translation, and it involves the removal of t...
The purpose of this volume is to investigate the languages of dubbing. The plural evokes the complex...
The purpose of this volume is to investigate the languages of dubbing. The plural evokes the complex...
The wide field of sociolinguistics and dialectology applied to translation and to AVT in particular ...
The aim of this paper is to examine the translation of culture-bound language varieties such as dial...
In our paper we analyse the distribution and promotion of Italian films in English-speaking countrie...
In our paper we analyse the distribution and promotion of Italian films in English-speaking countrie...
In our paper we analyse the distribution and promotion of Italian films in English-speaking countrie...
Far from being two complementary aspects of the same reality, the theory and the practice of dubbing...
One main feature which distinguishes film translation from other translation types is the need to pr...
One main feature which distinguishes film translation from other translation types is the need to pr...
It is widely acknowledged that the larger European countries favour dubbing and the smaller countrie...
The aim of the present article is to describe, both quantitatively and qualitatively, how features o...
The aim of the present article is to describe, both quantitatively and qualitatively, how features o...
Even though audiovisual translation currently involves the use of new modes, such as audiodescriptio...
Dubbing is one of the most common modes of audiovisual translation, and it involves the removal of t...
The purpose of this volume is to investigate the languages of dubbing. The plural evokes the complex...
The purpose of this volume is to investigate the languages of dubbing. The plural evokes the complex...
The wide field of sociolinguistics and dialectology applied to translation and to AVT in particular ...
The aim of this paper is to examine the translation of culture-bound language varieties such as dial...
In our paper we analyse the distribution and promotion of Italian films in English-speaking countrie...
In our paper we analyse the distribution and promotion of Italian films in English-speaking countrie...
In our paper we analyse the distribution and promotion of Italian films in English-speaking countrie...