Time piece was initially created as an early Neo-baroque work in the 1960s and it hung in Coetzee's dining room in Tulbagh. Here, he later modified it by adding new elements every now and again. This artwork, like many other objects such as ceramics, glass, metals and even shoes were considered 'living projects' as these objects were coloured and painted by Coetzee when the mood took him.University of Pretoria Museum Winter Exhibitio
The exhibition was selected by Chantal Crousel, Director of Chantal Crousel Gallery, Paris; Chris Of...
This digital film was produced as part of a body of work in the context of practice based PhD resear...
Time and space, as commonly understood, have been marked, measured, and mandated since early man scr...
In 1961 Coetzee created several paintings on ceramic plates which he exhibited at the Lawrence Adler...
In 1962, Coetzee began with his Neobaroque style of painting; Blue Shell Abstraction is an early e...
Coetzee created this Egyptian bust for the 1987 Randse Afrikaanse Universiteit Prestige Exhibition...
In 1955 Coetzee joined the Stadler Stable, an avant-garde art group in Paris. The owner of Stadler...
Through the years, flowers such as roses were an important subject in Coetzee's paintings, but also ...
This painting from the early 1990s is a continuation of the bridal theme carried out in various form...
Coetzee thickly painted his wife's high heel shoe in bold multi-coloured strokes and placed a wooden...
Coetzee created a full scale model of a theatre, complete with orchestra pit and stage, while he was...
In the 1980s Coetzee met a local largely unknown, potter who owned the La Rochelle Pottery in Tulbag...
This partial painting of a face was part of the 1978 protest exhibition at the Association of Arts i...
Coetzee depicts a cameo-artist, hidden behind a veil, so as not to reveal the secrets of his trade, ...
Kotie Roodt-Coetzee's contribution to cultural history museology in South Africa - the Transvaal Mus...
The exhibition was selected by Chantal Crousel, Director of Chantal Crousel Gallery, Paris; Chris Of...
This digital film was produced as part of a body of work in the context of practice based PhD resear...
Time and space, as commonly understood, have been marked, measured, and mandated since early man scr...
In 1961 Coetzee created several paintings on ceramic plates which he exhibited at the Lawrence Adler...
In 1962, Coetzee began with his Neobaroque style of painting; Blue Shell Abstraction is an early e...
Coetzee created this Egyptian bust for the 1987 Randse Afrikaanse Universiteit Prestige Exhibition...
In 1955 Coetzee joined the Stadler Stable, an avant-garde art group in Paris. The owner of Stadler...
Through the years, flowers such as roses were an important subject in Coetzee's paintings, but also ...
This painting from the early 1990s is a continuation of the bridal theme carried out in various form...
Coetzee thickly painted his wife's high heel shoe in bold multi-coloured strokes and placed a wooden...
Coetzee created a full scale model of a theatre, complete with orchestra pit and stage, while he was...
In the 1980s Coetzee met a local largely unknown, potter who owned the La Rochelle Pottery in Tulbag...
This partial painting of a face was part of the 1978 protest exhibition at the Association of Arts i...
Coetzee depicts a cameo-artist, hidden behind a veil, so as not to reveal the secrets of his trade, ...
Kotie Roodt-Coetzee's contribution to cultural history museology in South Africa - the Transvaal Mus...
The exhibition was selected by Chantal Crousel, Director of Chantal Crousel Gallery, Paris; Chris Of...
This digital film was produced as part of a body of work in the context of practice based PhD resear...
Time and space, as commonly understood, have been marked, measured, and mandated since early man scr...