Add to ORKGIn 1962, Coetzee began with his Neobaroque style of painting; Blue Shell Abstraction is an early example of painting in this tradition. This Neo-baroque style quickly became one of the great art movements of the 1960s in Paris. Coetzee and the other members of the Stadler Stable, an avantgarde group, also became deeply involved in this art movement.University of Pretoria Museum Winter Exhibitio
It is common knowledge that Coetzee revisited and reworked many of his older paintings during the 19...
An ordinary object such as this tall water pitcher never appealed to Coetzee and is probably why he ...
Red Profile No. 8 was Coetzee's 8th painting created in 1995 and is one of his minimalist artworks. ...
In 1955 Coetzee joined the Stadler Stable, an avant-garde art group in Paris. The owner of Stadler...
Coetzee moved from Paris in France to Finestrat in Spain during 1965, where he continued painting in...
Time piece was initially created as an early Neo-baroque work in the 1960s and it hung in Coetzee's ...
Coetzee painted a philosopher's head with a white wig and the well-known triangular motif that he us...
In 1961 Coetzee created several paintings on ceramic plates which he exhibited at the Lawrence Adler...
During the selection of the artworks for the current exhibition, this small floral still-life was ...
Coetzee used the rose as a motif in his paintings as early as the 1940s. The image of the rose is ...
Towards the end of 1953 Coetzee returned to London and continued to work on his genre-paintings, whe...
Coetzee produced a large quantity of mixed media works on paper during the 1980s and 1990s. By the m...
In Coetzee's Pompeian Lady there are some aspects of typical Neo-classical paintings of women from t...
This painting from the early 1990s is a continuation of the bridal theme carried out in various form...
Coetzee created this Egyptian bust for the 1987 Randse Afrikaanse Universiteit Prestige Exhibition...
It is common knowledge that Coetzee revisited and reworked many of his older paintings during the 19...
An ordinary object such as this tall water pitcher never appealed to Coetzee and is probably why he ...
Red Profile No. 8 was Coetzee's 8th painting created in 1995 and is one of his minimalist artworks. ...
In 1955 Coetzee joined the Stadler Stable, an avant-garde art group in Paris. The owner of Stadler...
Coetzee moved from Paris in France to Finestrat in Spain during 1965, where he continued painting in...
Time piece was initially created as an early Neo-baroque work in the 1960s and it hung in Coetzee's ...
Coetzee painted a philosopher's head with a white wig and the well-known triangular motif that he us...
In 1961 Coetzee created several paintings on ceramic plates which he exhibited at the Lawrence Adler...
During the selection of the artworks for the current exhibition, this small floral still-life was ...
Coetzee used the rose as a motif in his paintings as early as the 1940s. The image of the rose is ...
Towards the end of 1953 Coetzee returned to London and continued to work on his genre-paintings, whe...
Coetzee produced a large quantity of mixed media works on paper during the 1980s and 1990s. By the m...
In Coetzee's Pompeian Lady there are some aspects of typical Neo-classical paintings of women from t...
This painting from the early 1990s is a continuation of the bridal theme carried out in various form...
Coetzee created this Egyptian bust for the 1987 Randse Afrikaanse Universiteit Prestige Exhibition...
It is common knowledge that Coetzee revisited and reworked many of his older paintings during the 19...
An ordinary object such as this tall water pitcher never appealed to Coetzee and is probably why he ...
Red Profile No. 8 was Coetzee's 8th painting created in 1995 and is one of his minimalist artworks. ...