Coetzee thickly painted his wife's high heel shoe in bold multi-coloured strokes and placed a wooden last inside. According to Ferrie Binge-Coetzee, he took this shoe prior to an exhibition and painted it without her knowledge as she was to wear these particular shoes to the opening of his exhibition. This unusual work suggests a hint of his avant-garde approach that he engaged with in the 1950s.University of Pretoria Museum Winter Exhibitio
Towards the end of 1953 Coetzee returned to London and continued to work on his genre-paintings, whe...
Coetzee created this Egyptian bust for the 1987 Randse Afrikaanse Universiteit Prestige Exhibition...
Coetzee produced a large quantity of mixed media works on paper during the 1980s and 1990s. By the m...
This miniature oval portrait was named and signed by Coetzee on a piece of brown paper attached to...
During the selection of the artworks for the current exhibition, this small floral still-life was ...
Coetzee and Ferrie Binge married in 1968 and travelled extensively between South Africa and Spain in...
While living in Spain Coetzee worked extensively to produce larger paintings of women and faces. In ...
In 1961 Coetzee created several paintings on ceramic plates which he exhibited at the Lawrence Adler...
In the 1980s Coetzee met a local largely unknown, potter who owned the La Rochelle Pottery in Tulbag...
Coetzee married Marjorie Long in 1952, one of his lecturers at the University of the Witwatersrand. ...
Although this is not a true self-portrait of Coetzee it reminds one of photographs taken by the arti...
Through the years, flowers such as roses were an important subject in Coetzee's paintings, but also ...
Coetzee used the rose as a motif in his paintings as early as the 1940s. The image of the rose is ...
Coetzee moved from Paris in France to Finestrat in Spain during 1965, where he continued painting in...
Although Coetzee and Ferrie Binge-Coetzee were divorced, they lived in separate houses, in separate ...
Towards the end of 1953 Coetzee returned to London and continued to work on his genre-paintings, whe...
Coetzee created this Egyptian bust for the 1987 Randse Afrikaanse Universiteit Prestige Exhibition...
Coetzee produced a large quantity of mixed media works on paper during the 1980s and 1990s. By the m...
This miniature oval portrait was named and signed by Coetzee on a piece of brown paper attached to...
During the selection of the artworks for the current exhibition, this small floral still-life was ...
Coetzee and Ferrie Binge married in 1968 and travelled extensively between South Africa and Spain in...
While living in Spain Coetzee worked extensively to produce larger paintings of women and faces. In ...
In 1961 Coetzee created several paintings on ceramic plates which he exhibited at the Lawrence Adler...
In the 1980s Coetzee met a local largely unknown, potter who owned the La Rochelle Pottery in Tulbag...
Coetzee married Marjorie Long in 1952, one of his lecturers at the University of the Witwatersrand. ...
Although this is not a true self-portrait of Coetzee it reminds one of photographs taken by the arti...
Through the years, flowers such as roses were an important subject in Coetzee's paintings, but also ...
Coetzee used the rose as a motif in his paintings as early as the 1940s. The image of the rose is ...
Coetzee moved from Paris in France to Finestrat in Spain during 1965, where he continued painting in...
Although Coetzee and Ferrie Binge-Coetzee were divorced, they lived in separate houses, in separate ...
Towards the end of 1953 Coetzee returned to London and continued to work on his genre-paintings, whe...
Coetzee created this Egyptian bust for the 1987 Randse Afrikaanse Universiteit Prestige Exhibition...
Coetzee produced a large quantity of mixed media works on paper during the 1980s and 1990s. By the m...