Add to ORKGLa Guitare = The Guitar = La Chitarra, Paris, 1650-1950, Addendum, by Sinier, Daniel and Francoise de Ridder is reviewed
This article is one of a series of five by Peter Danner on the history of the guitar in the United S...
An introduction to the aims and scope of this new scholarly journal of the guitar, and an introducti...
La guitare connaît à Paris entre 1770 et 1830 un âge d’or caractérisé par un engouement exceptionnel...
La Guitare = The Guitar = La Chitarra, Paris, 1650-1950, Addendum, by Sinier, Daniel and Francoise d...
Napoleon Coste: Composer and Guitarist in the Musical Life of 19th-Century Paris, by Van Vliet, Ari ...
A review of four new biographical studies of Fernando Sor: Brian Jeffery, Fernando Sor: Composer a...
In early May, 2015, there was a biennial gathering of guitar history enthusiasts and scholars at the...
A review of Jocelyn Nelson (guitar) and Amy Bartram (soprano), Ma Guiterre je te chante: 16th Centur...
The three guitars were reproduced from La chitarra: quattro secoli di capolavori / The Guitar: Four ...
This article is one of a series of five by Peter Danner on the history of the guitar in the United S...
A review of Nicoletta Confalone, Un angelo senza paradiso: La chitarra alla ricerca di Schubert (Bol...
It was in about 1828–29 that Parisian guitarist and publisher Charles de Marescot brought before the...
International audienceAlthough the different members of the Voboam family were the most important ma...
In 1828, the French guitarist Charles de Marescot published a small booklet called La Guitaromanie, ...
The scene of angel musicians on our cover is a detail shot of the topmost portion of the famous “Par...
This article is one of a series of five by Peter Danner on the history of the guitar in the United S...
An introduction to the aims and scope of this new scholarly journal of the guitar, and an introducti...
La guitare connaît à Paris entre 1770 et 1830 un âge d’or caractérisé par un engouement exceptionnel...
La Guitare = The Guitar = La Chitarra, Paris, 1650-1950, Addendum, by Sinier, Daniel and Francoise d...
Napoleon Coste: Composer and Guitarist in the Musical Life of 19th-Century Paris, by Van Vliet, Ari ...
A review of four new biographical studies of Fernando Sor: Brian Jeffery, Fernando Sor: Composer a...
In early May, 2015, there was a biennial gathering of guitar history enthusiasts and scholars at the...
A review of Jocelyn Nelson (guitar) and Amy Bartram (soprano), Ma Guiterre je te chante: 16th Centur...
The three guitars were reproduced from La chitarra: quattro secoli di capolavori / The Guitar: Four ...
This article is one of a series of five by Peter Danner on the history of the guitar in the United S...
A review of Nicoletta Confalone, Un angelo senza paradiso: La chitarra alla ricerca di Schubert (Bol...
It was in about 1828–29 that Parisian guitarist and publisher Charles de Marescot brought before the...
International audienceAlthough the different members of the Voboam family were the most important ma...
In 1828, the French guitarist Charles de Marescot published a small booklet called La Guitaromanie, ...
The scene of angel musicians on our cover is a detail shot of the topmost portion of the famous “Par...
This article is one of a series of five by Peter Danner on the history of the guitar in the United S...
An introduction to the aims and scope of this new scholarly journal of the guitar, and an introducti...
La guitare connaît à Paris entre 1770 et 1830 un âge d’or caractérisé par un engouement exceptionnel...