A review of four new biographical studies of Fernando Sor: Brian Jeffery, Fernando Sor: Composer and Guitarist, 3rd edition (N.p.: Tecla, 2020), PDF or ePub Josep María Mangado Artigas, Fernando Sor (1778–1839), vol. 1, Aportaciones biográficas (Sant Feliu de Llobregat, Barcelona: Self-published, Tecla, 2020), PDF Josep María Mangado Artigas, Fernando Sor (1778–1839), vol. 2, Documentos inéditos: Reflexiones e hypótesis (Sant Feliu de Llobregat, Barcelona: Self-published, Tecla, 2018), PDF Josep María Mangado Artigas, Fernando Sor (1778–1839), vol. 3, La actividad guitarrística en París (1825–1839) (Sant Feliu de Llobregat, Barcelona: Self-published, Tecla, 2010), PD
In early May, 2015, there was a biennial gathering of guitar history enthusiasts and scholars at the...
A contemporary London newspaper report clarifies the extent of Fernando Sor\u27s contribution to the...
New documentary evidence shows that Sor\u27s pupil Natalie Houzé performed with him in public on Feb...
A review of four new biographical studies of Fernando Sor: Brian Jeffery, Fernando Sor: Composer a...
A review of two studies by Josep María Mangado of the history of the guitar in Catalonia: Josep Ma...
This article addresses the considerations and decisions that underlie a new critical edition of Sor’...
La Guitare = The Guitar = La Chitarra, Paris, 1650-1950, Addendum, by Sinier, Daniel and Francoise d...
A review of Los Romeros: Royal Family of the Spanish Guitar by Walter Aaron Clark
This article discusses a page of music manuscript, shelf no. MD-C-90 (4), preserved in a royal monas...
Since the early 19th century, instrumentalists have made use of the musical genre known as the Étude...
Suite goivos by Francisco Lacerda (1869–1934) stands out not only as one of the first examples of sy...
A review of Nicoletta Confalone, Un angelo senza paradiso: La chitarra alla ricerca di Schubert (Bol...
Suite goivos by Francisco Lacerda (1869–1934) stands out not only as one of the first examples of sy...
This article discusses a hitherto unknown letter, written by Sor in Saint Petersburg in April 1827. ...
A review of Guitar Double Concertos, by Miguel Trápaga and Teresa Folgueira, guitars; Ángel Luis C...
In early May, 2015, there was a biennial gathering of guitar history enthusiasts and scholars at the...
A contemporary London newspaper report clarifies the extent of Fernando Sor\u27s contribution to the...
New documentary evidence shows that Sor\u27s pupil Natalie Houzé performed with him in public on Feb...
A review of four new biographical studies of Fernando Sor: Brian Jeffery, Fernando Sor: Composer a...
A review of two studies by Josep María Mangado of the history of the guitar in Catalonia: Josep Ma...
This article addresses the considerations and decisions that underlie a new critical edition of Sor’...
La Guitare = The Guitar = La Chitarra, Paris, 1650-1950, Addendum, by Sinier, Daniel and Francoise d...
A review of Los Romeros: Royal Family of the Spanish Guitar by Walter Aaron Clark
This article discusses a page of music manuscript, shelf no. MD-C-90 (4), preserved in a royal monas...
Since the early 19th century, instrumentalists have made use of the musical genre known as the Étude...
Suite goivos by Francisco Lacerda (1869–1934) stands out not only as one of the first examples of sy...
A review of Nicoletta Confalone, Un angelo senza paradiso: La chitarra alla ricerca di Schubert (Bol...
Suite goivos by Francisco Lacerda (1869–1934) stands out not only as one of the first examples of sy...
This article discusses a hitherto unknown letter, written by Sor in Saint Petersburg in April 1827. ...
A review of Guitar Double Concertos, by Miguel Trápaga and Teresa Folgueira, guitars; Ángel Luis C...
In early May, 2015, there was a biennial gathering of guitar history enthusiasts and scholars at the...
A contemporary London newspaper report clarifies the extent of Fernando Sor\u27s contribution to the...
New documentary evidence shows that Sor\u27s pupil Natalie Houzé performed with him in public on Feb...