Conference Report for the Peter Manson Symposium, organised by Ellen Dillon, Tom Betteridge, Colin Herd and Nicky Melville, which consisted of an informal evening of performances, and a day of panels and discussions in response to Manson's work. This report accompanies our special issue of articles based on the proceedings
'Deconstructing voices' is a unique collaboration in sample culture, mixing live poetry with VJ, scr...
In lieu of an abstract, here is a brief excerpt of the content: The Dublin Theatre Festival (DTF) i...
When the pandemic began to affect the performance world, both festival artists and producers started...
Copyright: © 2020 The Author(s). Peter Manson (1969-) is a poet and translator of poetry from Glasgo...
This is a report detailing the ‘Projectivisms Symposium’ which took place at the University of Cardi...
‘Performed Poetics’ was a two-day conference celebrating the work of Eric Mottram and Jerome Rothenb...
This fourth journal issue of Divergence Press is a selection of papers given at the Beyond Pythagora...
In this report we present a reflection on the Collaborative Poetics Network's first "Carnival of Inv...
In this report we present a reflection on the Collaborative Poetics Network's first "Carnival of Inv...
This essay surveys a range of different kinds of writing by Peter Manson over a span of twenty years...
This editorial introduces Volume 2, Issue 1 of Performance Philosophy, including articles that respo...
This is a preprint of an article whose final and definitive form has been published in the CONTEMPOR...
As the European Journal of Theatre and Performance is now steadily growing into a bi-annual publicat...
This is an Accepted Manuscript of an article published by Taylor & Francis in Studies in Theatre and...
Some years ago now, my primary school dance club chose Sylvia Plath’s poem ‘Mushrooms’ (1962) to per...
'Deconstructing voices' is a unique collaboration in sample culture, mixing live poetry with VJ, scr...
In lieu of an abstract, here is a brief excerpt of the content: The Dublin Theatre Festival (DTF) i...
When the pandemic began to affect the performance world, both festival artists and producers started...
Copyright: © 2020 The Author(s). Peter Manson (1969-) is a poet and translator of poetry from Glasgo...
This is a report detailing the ‘Projectivisms Symposium’ which took place at the University of Cardi...
‘Performed Poetics’ was a two-day conference celebrating the work of Eric Mottram and Jerome Rothenb...
This fourth journal issue of Divergence Press is a selection of papers given at the Beyond Pythagora...
In this report we present a reflection on the Collaborative Poetics Network's first "Carnival of Inv...
In this report we present a reflection on the Collaborative Poetics Network's first "Carnival of Inv...
This essay surveys a range of different kinds of writing by Peter Manson over a span of twenty years...
This editorial introduces Volume 2, Issue 1 of Performance Philosophy, including articles that respo...
This is a preprint of an article whose final and definitive form has been published in the CONTEMPOR...
As the European Journal of Theatre and Performance is now steadily growing into a bi-annual publicat...
This is an Accepted Manuscript of an article published by Taylor & Francis in Studies in Theatre and...
Some years ago now, my primary school dance club chose Sylvia Plath’s poem ‘Mushrooms’ (1962) to per...
'Deconstructing voices' is a unique collaboration in sample culture, mixing live poetry with VJ, scr...
In lieu of an abstract, here is a brief excerpt of the content: The Dublin Theatre Festival (DTF) i...
When the pandemic began to affect the performance world, both festival artists and producers started...