Add to ORKGThis is a preprint of an article whose final and definitive form has been published in the CONTEMPORARY THEATRE REVIEW © 2010 [copyright Taylor & Francis]; CONTEMPORARY THEATRE REVIEW is available online at: www. tandfonline.com. Article URL: http://www. tandfonline.com/openurl?genre=article&issn=1048-6801&date=2010&volume=20&issue=2&spage=24
In this article, Alex Mangold identifies failure as a defining element of tragedy and argues that tr...
This is the author accepted manuscript. The final version is available from Cambridge University Pre...
This chapter provides a critical account of the Sydney Front performance group\u27s 1987 production ...
This is a preprint of an article whose final and definitive form has been published in the CONTEMPOR...
This is an Accepted Manuscript of an article published by Taylor & Francis in Studies in Theatre and...
This short article reflects on the significance of the sudden announcement, in autumn 2016, of the i...
Journal ArticleThis is an accepted manuscript of an article published as Sarah Goldingay (2012) Cont...
Conference Report for the Peter Manson Symposium, organised by Ellen Dillon, Tom Betteridge, Colin H...
This is the final version. Available on open accessfrom the University of Newcastle, Australia via t...
In a violent clash between rival gangs from Asnières and Gennevilliers in the banlieue north of Pari...
This is a preprint of an article whose final and definitive form has been published in the CONTEMPOR...
The proposed article responds to the possibility of a theatre that aspires to ‘the condition of art’...
This paper analyses how the theme of hate depicted in Orwell’s dystopian novel Nineteen Eighty-Four ...
This is the final version of the article. Available from the publisher via the link in this record.T...
Othello, directed by Clint Dyer for the National Theatre, The Lyttelton, London, 25 November and 16 ...
In this article, Alex Mangold identifies failure as a defining element of tragedy and argues that tr...
This is the author accepted manuscript. The final version is available from Cambridge University Pre...
This chapter provides a critical account of the Sydney Front performance group\u27s 1987 production ...
This is a preprint of an article whose final and definitive form has been published in the CONTEMPOR...
This is an Accepted Manuscript of an article published by Taylor & Francis in Studies in Theatre and...
This short article reflects on the significance of the sudden announcement, in autumn 2016, of the i...
Journal ArticleThis is an accepted manuscript of an article published as Sarah Goldingay (2012) Cont...
Conference Report for the Peter Manson Symposium, organised by Ellen Dillon, Tom Betteridge, Colin H...
This is the final version. Available on open accessfrom the University of Newcastle, Australia via t...
In a violent clash between rival gangs from Asnières and Gennevilliers in the banlieue north of Pari...
This is a preprint of an article whose final and definitive form has been published in the CONTEMPOR...
The proposed article responds to the possibility of a theatre that aspires to ‘the condition of art’...
This paper analyses how the theme of hate depicted in Orwell’s dystopian novel Nineteen Eighty-Four ...
This is the final version of the article. Available from the publisher via the link in this record.T...
Othello, directed by Clint Dyer for the National Theatre, The Lyttelton, London, 25 November and 16 ...
In this article, Alex Mangold identifies failure as a defining element of tragedy and argues that tr...
This is the author accepted manuscript. The final version is available from Cambridge University Pre...
This chapter provides a critical account of the Sydney Front performance group\u27s 1987 production ...