The issue of cultural diversity is examined from the point of view of the diversity of the market for films shown in cinemas and films released as video recordings in the 2000s, based on a new sample of 5,600 films shown in cinemas, and 6,500 video film recordings. For both markets, the method used consisted of measuring diversity based on the criteria of variety, balance and range. The issues of increased supply (films), distribution (copies) and demand (number of tickets or video recordings sold) are covered for 6 European countries, namely: France, Denmark, Spain, Poland, the UK and Sweden. The video film market is covered for France only. The method used tends to indicate that France has the most diverse cinema film market, whilst its v...
The purpose of this article is to engage with the question of quality cinematic productions in Europ...
Diversity has been conceptualized as a key objective of national and international cultural policies...
European institutions affect the day-to-day functioning of film, television, radio and the Internet....
Following the approval of the UNESCO’s Convention on the Protection and Promotion of the Diversity o...
On the basis that a general definition of diversity of production has been missing throughout extens...
Despite the fuzzy nature of the concept of cultural diversity, it remains a core issue in several de...
For many years, the promotion and preservation of cultural diversity has remained a core issue in in...
This paper explores new data sources on multilateral trade in films among EU countries and with the ...
The establishment of the European internal market has involved the cinematographic sector as a resul...
The increasingly high profile given to cultural diversity in the European Union (EU) reflects a lon...
International audienceThe history of cultural policies in France is marked by the central role the s...
This paper examines the film distribution and exhibition sector in Europe. The general analysis of t...
Review of Sarah Walkley, Cultural Diversity in the French Film Industry: Defending the Cultural Exce...
The 2005 Unesco Diversity Convention was an inflexion point regarding protection and promotion of th...
The 2005 Unesco Diversity Convention was an inflexion point regarding protection and promotion of th...
The purpose of this article is to engage with the question of quality cinematic productions in Europ...
Diversity has been conceptualized as a key objective of national and international cultural policies...
European institutions affect the day-to-day functioning of film, television, radio and the Internet....
Following the approval of the UNESCO’s Convention on the Protection and Promotion of the Diversity o...
On the basis that a general definition of diversity of production has been missing throughout extens...
Despite the fuzzy nature of the concept of cultural diversity, it remains a core issue in several de...
For many years, the promotion and preservation of cultural diversity has remained a core issue in in...
This paper explores new data sources on multilateral trade in films among EU countries and with the ...
The establishment of the European internal market has involved the cinematographic sector as a resul...
The increasingly high profile given to cultural diversity in the European Union (EU) reflects a lon...
International audienceThe history of cultural policies in France is marked by the central role the s...
This paper examines the film distribution and exhibition sector in Europe. The general analysis of t...
Review of Sarah Walkley, Cultural Diversity in the French Film Industry: Defending the Cultural Exce...
The 2005 Unesco Diversity Convention was an inflexion point regarding protection and promotion of th...
The 2005 Unesco Diversity Convention was an inflexion point regarding protection and promotion of th...
The purpose of this article is to engage with the question of quality cinematic productions in Europ...
Diversity has been conceptualized as a key objective of national and international cultural policies...
European institutions affect the day-to-day functioning of film, television, radio and the Internet....