Add to ORKGReview of Sarah Walkley, Cultural Diversity in the French Film Industry: Defending the Cultural Exception in a Digital Age. Palgrave MacMillan, 2018
Three French films, Elise ou la vraie vie by Michel Drach, La Haine by Matthiew Kassovitz, and The F...
International audienceThe history of cultural policies in France is marked by the central role the s...
‘Diversity’ is an evolving dimension of discursive debates within publicly funded parts of the UK m...
The issue of cultural diversity is examined from the point of view of the diversity of the market fo...
© The Author(s) 2017. Academic, policy and industry debates have tended to focus on the mainstream f...
This portfolio of published work consists of a selection of articles and book chapters representing ...
Digital media are seen as important instruments of increasing participation and diversity in arts an...
Despite the fuzzy nature of the concept of cultural diversity, it remains a core issue in several de...
International audienceIn France, public funding occupies a specific place in the production and cons...
Diversity has been conceptualized as a key objective of national and international cultural policies...
Contemporary women's cinema in France has developed within a specific context. The persistence of au...
Cinema is the most influential cultural instrument in the contemporary world. The seventh art first ...
This article addresses the role of data in measuring diversity in the UK film industry and its media...
This essay examines the influence of the French concept of the “cultural exception” on European medi...
On October 20, 2005, the General Conference of the United Nations Educational, Scientific and Cultur...
Three French films, Elise ou la vraie vie by Michel Drach, La Haine by Matthiew Kassovitz, and The F...
International audienceThe history of cultural policies in France is marked by the central role the s...
‘Diversity’ is an evolving dimension of discursive debates within publicly funded parts of the UK m...
The issue of cultural diversity is examined from the point of view of the diversity of the market fo...
© The Author(s) 2017. Academic, policy and industry debates have tended to focus on the mainstream f...
This portfolio of published work consists of a selection of articles and book chapters representing ...
Digital media are seen as important instruments of increasing participation and diversity in arts an...
Despite the fuzzy nature of the concept of cultural diversity, it remains a core issue in several de...
International audienceIn France, public funding occupies a specific place in the production and cons...
Diversity has been conceptualized as a key objective of national and international cultural policies...
Contemporary women's cinema in France has developed within a specific context. The persistence of au...
Cinema is the most influential cultural instrument in the contemporary world. The seventh art first ...
This article addresses the role of data in measuring diversity in the UK film industry and its media...
This essay examines the influence of the French concept of the “cultural exception” on European medi...
On October 20, 2005, the General Conference of the United Nations Educational, Scientific and Cultur...
Three French films, Elise ou la vraie vie by Michel Drach, La Haine by Matthiew Kassovitz, and The F...
International audienceThe history of cultural policies in France is marked by the central role the s...
‘Diversity’ is an evolving dimension of discursive debates within publicly funded parts of the UK m...